安岳石窟造像艺术形式与美学意蕴研究

发布时间：2018-02-12 11:51

本文关键词： 安岳石窟造像艺术形式美感审美意蕴　出处：《重庆大学》2011年硕士论文　论文类型：学位论文

【摘要】：位于西南地区的安岳石窟年代之久远,内容之丰富,造像之精美,是我国又一伟大石窟艺术瑰宝,同时也是珍贵的历史文化遗产,著名美学家王朝闻归纳安岳石窟为“古、多、精、美”四大特点,在中国的石窟艺术中有着承前启后的重要地位。由于各种原因,安岳石窟还不为世人所熟知,迄今为止对安岳石窟造像艺术的系统研究相对薄弱,从造像艺术形式上研究尚未能形成较为完整的理论体系,亦未能全面、深入的揭示其精神内涵和审美意蕴。本文通过多次对安岳石窟造像进行实地考察,查阅大量相关文献典籍资料,综合运用艺术学、美学,以及社会学、民俗学、历史学、宗教学、生态学等多学科的理论与方法,融入到对安岳石窟造像艺术的研究中。论文从四个方面构建研究体系,对安岳石窟造像艺术的形成背景、审美历史流变、造像本体艺术形式、形式美感及审美意蕴进行了系统研究和较为深入的探讨与论证,并以此为研究路径,深度挖掘其多重价值。安岳石窟造像在神性中融入人性,世俗化特征明显,具有丰富的审美文化内涵,从而使它成为民族化石窟造像艺术的典范,不论从美学、艺术学角度,还是历史、社会学角度,充分体现其较高的研究价值。本课题将着重对安岳石窟造像艺术形式与美学意蕴进行研究,安岳石窟汲取了前期石窟造像艺术的影响,在遵从佛教造像仪轨的基础上,于造像题材、造型特点、发展分期、艺术风格方面都具有相对独特的形式美感,从传神之美、意象之美、人性之美三方面对石窟造像艺术进行诠释与解读,以阐明传统审美意蕴及人文精神对安岳石窟造像的影响和传达出对人的教化核心意义。提出加强对文化遗产的保护措施与审美文化的传承与推广,以弘扬中华传统石窟艺术精髓。
[Abstract]:The Anyue grottoes, which are located in the southwest of China, have a long history, rich contents and exquisite statues. They are another great artistic treasure of the grottoes in China, and are also a precious historical and cultural heritage. Wang Zhaowen, a famous aesthetician, sums up the Anyue grottoes as "ancient, numerous, The four characteristics of "fine and beautiful" play an important role in the art of grottoes in China. For various reasons, Anyue grottoes are not well known to the world. So far, the systematic research on the art of statues in Anyue grottoes has been relatively weak. The study on the artistic form of the statue has not yet formed a relatively complete theoretical system, nor has it fully and thoroughly revealed its spiritual connotation and aesthetic implication. To refer to a large number of relevant literature and materials, and to apply the theories and methods of art, aesthetics, sociology, folklore, history, religion, ecology, etc. The thesis constructs a research system from four aspects, including the background of the formation of Anyue grottoes, the evolution of aesthetic history, the art form of the statue itself, the research of the art of Anyue Grottoes, the study of the art of Anyue Grottoes. The aesthetic sense of form and aesthetic implication are systematically studied and deeply discussed and demonstrated, which is regarded as the research path to excavate its multiple value in depth. The idols of Anyue Grottoes incorporate human nature into the divinity, with obvious secularization features and rich aesthetic cultural connotations, thus making it a model of nationalized grottoes art, whether from the angle of aesthetics, art, or history. From the angle of sociology, it fully embodies its high research value. This subject will focus on the study of the artistic form and aesthetic implication of the Anyue grottoes, which draw on the influence of the earlier art of grottoes. On the basis of following the Buddhist idolatry ritual, there is a relatively unique aesthetic sense of form in the aspects of the subject matter, modeling characteristics, stages of development and artistic style, from the beauty of evangelism to the beauty of image. The interpretation and interpretation of the art of grottoes in three aspects of the beauty of human nature, In order to clarify the influence of traditional aesthetic connotation and humanistic spirit on Anyue grottoes and convey the core significance of enlightenment to people, this paper puts forward some measures to strengthen the protection of cultural heritage and the inheritance and promotion of aesthetic culture. In order to carry forward the essence of traditional Chinese grottoes art.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.2

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