中国商周青铜器纹样的现代造型转化

发布时间：2018-03-12 22:06

本文选题：商周　切入点：青铜器　出处：《北京印刷学院》2015年硕士论文　论文类型：学位论文

【摘要】：中国纹饰艺术的历史源远流长。早在旧石器时代,兴起于黄河流域的古代考古文化中,纹饰艺术就成为体现先民美学观念的重要载体。随着生产力的发展,在商周时代,青铜工艺的发展达到鼎盛,青铜器作为先人祭祀、占卜的用具,在其时的政治和社会生活中扮演了重要作用,其中的纹饰亦在世界美术史中留下了浓墨重彩的一笔。商周以降,青铜器虽然渐趋衰微,但是其纹样却在中华美术文化中光彩不减,为后世中国绘画、书法、陶瓷等艺术产生了深远的影响。然而,进入现代以来,青铜纹样这些极具美学价值又散发着神秘气息的艺术像一卷尘封在阁楼的古代画卷,由于缺少开发,长期以来没有受到应有的重视。如果不能将古代的青铜纹样合理转化运用成现代设计,势必会造成巨大的遗憾。通过长期的考察和调研,笔者发现纹样艺术以其朴素的审美和简洁的艺术创作,与现代艺术有很多共通的特点,在此基础上,笔者希望通过多种形式对商周青铜器纹样这一中国纹饰艺术的瑰宝进行现代化的转化。本论文将研究对象确定为商周时期青铜器纹样,将青铜器的传统纹样结合现代语言表达,发掘并实现其现代造型转化。论文分为五个部分:第一章,在对选题意义进行阐释的基础上,通过实地考察及文献阅读,对目前学界对商周青铜器纹样的研究现状进行分析;第二章,介绍商周时期青铜器纹样,并分析其其文化性和艺术性;第三章,结合现代文化的审美,运用尝试多种艺术表现形式探索商周青铜纹样的现代造型转化;第四章,在上述探索的基础上,尝试将设计融入现代产品设计,并提出一些理论性和实践性的思考建议;第五章,总结。
[Abstract]:As early as the Paleolithic Age, in the ancient archaeological culture of the Yellow River Basin, the decorative art became an important carrier to embody the aesthetic ideas of the ancestors. With the development of productivity, in the Shang and Zhou dynasties, The development of bronze craftsmanship reached its peak. Bronze vessels, as sacrificial sacrifices and divination tools, played an important role in the political and social life of the time, and the ornaments among them also left a heavy brush in the history of the world's fine arts. Although bronze ware has gradually declined, its pattern has not lost its luster in Chinese art culture, which has had a profound influence on Chinese painting, calligraphy, ceramics and other arts of later generations. However, since the beginning of modern times, Bronze patterns, aesthetic and mysterious art, like a dusty ancient scroll in the attic, are lacking in development. It has not received due attention for a long time. If the ancient bronze pattern can not be reasonably converted into modern design, it will certainly cause great regret. Through long-term investigation and investigation, The author finds that the art of pattern has many common features with modern art because of its simple aesthetic and concise artistic creation, and on this basis, The author hopes to modernize the bronze ware pattern of Shang and Zhou dynasties, which is the treasure of Chinese decorative art, through various forms. This paper determines the object of study as bronze ware pattern in Shang and Zhou dynasties, and combines the traditional pattern of bronze ware with modern language expression. The thesis is divided into five parts: the first chapter, on the basis of explaining the significance of the topic, through the field investigation and literature reading, the current research status of bronze patterns in Shang and Zhou dynasties is analyzed. The second chapter introduces the bronze patterns of Shang and Zhou dynasties, and analyzes its cultural and artistic character. Chapter three, combining with the aesthetics of modern culture, explores the transformation of bronze patterns in Shang and Zhou dynasties by using various artistic expressions. Chapter 4th, On the basis of the above exploration, this paper tries to integrate the design into modern product design, and puts forward some theoretical and practical suggestions; Chapter 5th, summing up.
【学位授予单位】：北京印刷学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：K876.41

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