中国墓室壁画的当代意义讨论

发布时间：2018-06-29 20:40

本文选题：中国 + 墓室壁画　；参考：《民族艺术》2014年06期

【摘要】：中国墓室壁画的当代意义,应当有三个方面的指向:首先,考古价值的判断。中国墓室壁画数量巨大,分布广泛,并且多数为中高等级的墓葬遗存,举世无双,保证了墓室壁画的考古价值。其次,艺术价值的判断。当代墓室壁画的审美活动是二次审美,是违背墓主人意愿而由封闭形态转向开放形态下进行的,因此需要从宗教语境、世俗语境和墓葬建筑语境来判断壁画图像所具有的艺术价值。最后,宗教价值的判断。因为原有仪式的不复存在或发生改变,墓室壁画的宗教意义变得不再那么确定,宗教价值失去了首先考虑的位置。三个指向之间的关系是,考古价值是其他价值的基础,艺术价值因为宗教价值存在不确定性而有了被放大的趋势。
[Abstract]:The contemporary significance of the Chinese tomb murals should be pointed out in three aspects: first, the judgment of the archaeological value. The number of mural paintings in the Chinese tombs is huge and widely distributed, and most of them are the remains of the middle and high grade tombs, which guarantee the archaeological value of the murals of the tombs. Secondly, the judgment of the artistic value. The aesthetic activities of the murals in the contemporary tombs are two. The secondary aesthetic is against the will of the tomb owner and from the closed form to the open form. Therefore, it is necessary to judge the artistic value of the mural image from the religious context, the secular context and the context of the burial architecture. Finally, the judgment of the religious values. The religious significance of the murals in the tomb chamber changes because the original ritual is no longer existing or changed. No longer so sure, the value of religion is lost in the first place. The relationship between the three points is that the archaeological value is the basis of other values, and the value of art has been magnified because of the uncertainty of religious values.
【作者单位】：东南大学艺术学院;
【基金】：2013年度国家社会科学基金项目“中国墓室壁画的图像体系研究”(13BZJ034) 2011年度国家社会科学基金重大项目“长江流域宗教文化”子课题(11ZD117)阶段性成果
【分类号】：K879.41

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