宋金瓷器池塘水禽纹初探

发布时间：2018-07-03 02:21

  本文选题：宋金时期 + 瓷器　； 参考：《北方文物》2016年04期

【摘要】：池塘水禽纹是11世纪后期兴起的瓷器组合纹饰之一,有"通景式"和"小景式"两种基本构图,宋画莲塘、沙汀小景为其重要的粉本来源,反映了宋金制瓷业对于绘画艺术的借鉴与吸收。此类纹饰与元青花莲塘水禽纹在题材、构图、细节特征、名称等方面有着密切的联系,表明宋金及元代以后瓷器池塘纹样是一脉相承的。同时,高丽青瓷蒲柳水禽纹并非源于辽代壁画,从装饰内容、构图、风格等方面来看,其产生可能受到了磁州窑类型彩绘瓷器的影响。
[Abstract]:Pond waterfowl pattern is one of the porcelain combination ornaments that rose in the late 11th century. There are two basic compositions of "Tongjing" and "small scenery". The Song Dynasty painting lotus pond, the Sha Ting landscape is its important powder source. It reflects the reference and absorption of the gold porcelain industry of Song Dynasty to the painting art. This kind of decoration is closely related to the waterfowl patterns of blue and white lotus pond in Yuan Dynasty in terms of subject matter, composition, details, names and so on, indicating that the patterns of porcelain ponds in Song and Jin dynasties and after Yuan Dynasty are of the same origin. At the same time, Korean celadon willow waterfowl pattern is not originated from the Liao Dynasty murals, from the decorative content, composition, style and other aspects, its production may be affected by the Cizhou kiln type of painted porcelain.
【作者单位】： 天津师范大学历史文化学院;
【基金】：天津市哲学社会科学研究规划项目“京津冀地区出土瓷器与宋辽金文化交流研究”(项目编码:TJZL15-008) 天津市高等学校人文社会科学研究项目“两宋瓷器装饰研究”(项目编号:20142811)成果之一
【分类号】：K876.3
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本文编号：2091958