彩陶纹饰与中国史前审美意识

发布时间：2018-08-02 20:31

【摘要】： 彩陶作为史前时期很重要的文化遗存,是中国艺术发展链条中的一个重要环节,在一定程度上形塑了中国艺术的形式基础,受到了不同研究领域学者们的关注,到目前为止,国内已经出现了不少论述彩陶的学术专著。然而,从当前的研究状况来看,学者们或是把彩陶作为一种文化进行综合研究,或是从美术史或考古学角度对彩陶进行研究,或是把彩陶作为工艺美术,对其制作工艺和装饰特点进行研究,而对彩陶重要构成部分的纹饰的研究却并不多,尤其是对彩陶纹饰所蕴含的审美思想及其理论意义对于美学发展的意义的研究极其不够,这与彩陶发掘已经取得的成果相比很不平衡。因此,本文从彩陶纹饰着手,解读其蕴含的丰富的文化内涵,从彩陶纹饰的演变中找出美学规律,进而来认识史前先民的审美意识。导论部分重点在于对论文的选题及意义的探讨,以及国内外研究现状的描述,并指出本文的研究思路、研究方法以及研究的重点和难点。通过这种描述,希望能够使读者对本文的基本框架有所了解。第一章“彩陶纹饰概论”,主要观照的是彩陶纹饰的起源、分类、构成要素和形式法则,并对特殊的彩陶纹饰图案做简单的个案分析,以期借此获得对彩陶纹饰的系统梳理。第二章“彩陶纹饰与原始思维”,重点在于从彩陶纹饰中去认识它对史前社会生活的反映,以及对宗教情感和原始生殖崇拜的表现等。第三章“彩陶纹饰与中国史前审美意识”’,是本文的论述重点。该部分从彩陶纹饰的演变中寻找美学规律,从而去探讨中国史前审美意识。最后是本文的结语部分,试着探讨了彩陶纹饰对中国艺术尤其是中国绘画的线条特征和写意特色等方面的积极影响,并希望亦能借此表明彩陶纹饰在中国审美意识发生上的重大意义。
[Abstract]:As an important cultural relic of the prehistoric period, painted pottery is an important link in the development chain of Chinese art. To a certain extent, it has shaped the formal basis of Chinese art and has attracted the attention of scholars in different fields of study. So far, There have been many academic monographs on painted pottery in China. However, from the point of view of the current research situation, scholars either comprehensively study painted pottery as a kind of culture, or study painted pottery from the perspective of art history or archaeology, or use painted pottery as an arts and crafts. In this paper, the process of making and the decorative characteristics are studied, but there are few researches on the patterns of the important components of the painted pottery, especially the aesthetic thought and the theoretical significance of the color pottery ornaments, which are extremely insufficient in the study of the significance of the development of aesthetics. This is very uneven compared with the achievements made in the exploration of painted pottery. Therefore, this article starts from the color pottery decoration, unscrambles its rich cultural connotation, finds out the esthetics rule from the color pottery decoration evolution, and then realizes the prehistoric people's aesthetic consciousness. The introduction focuses on the discussion of the topic and significance of the thesis, as well as the description of the present research situation at home and abroad, and points out the research ideas, research methods, key points and difficulties of this paper. Through this description, we hope to make readers understand the basic framework of this paper. The first chapter is an introduction to the pattern of painted pottery, which mainly focuses on the origin, classification, elements of composition and rules of form, and makes a simple case study of the special pattern of painted pottery, in order to obtain a systematic combing of the pattern of painted pottery. The second chapter, "Color pottery decoration and primitive thinking", focuses on understanding its reflection on prehistoric social life, religious emotion and the performance of primitive reproductive worship from the perspective of painted pottery ornaments. The third chapter, "Color pottery decoration and Chinese prehistoric aesthetic consciousness", is the focus of this paper. This part looks for the aesthetic law from the evolution of the painted pottery ornaments, and probes into the Chinese prehistoric aesthetic consciousness. The last part is the conclusion of this paper, which tries to explore the positive influence of painted pottery decoration on Chinese art, especially on the characteristics of lines and freehand brushwork of Chinese painting. It also hopes to show the great significance of the color pottery decoration in the occurrence of Chinese aesthetic consciousness.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.3

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