试论古埃及护身符
发布时间：2018-08-20 08:17
【摘要】：从考古遗址发现的数量上看，古埃及社会各个阶层的人都会佩戴护身符。古埃及的护身符，不仅用于保护生者远离邪恶力量和敌人的攻击，也可以奉献给神以祈求神的保佑，还可以作为死者的随葬品，包裹在木乃伊的裹布里，或是放在棺椁里，以帮助死者顺利进入另一个世界，并能在那里永享平安、健康和富贵。 国外把古埃及护身符归入到古埃及巫术的范畴去研究，著有一些著述；但国内对这方面的研究比较浅显，点到为止，缺乏全面性和系统性。笔者希望通过阅读、翻译、分析古埃及的原始文献“亡灵书”和相关的英文文献，对照考古发掘的护身符，运用与宗教信仰相关的理论进行分析，全面系统地解读古埃及护身符的种类、制作和功效，挖掘古埃及护身符蕴含的丰富信息，如神话传说、宗教信仰、思维方式和审美观念。 本文分为以下六部分： 引言，简要概述目前国内外研究古埃及护身符的情况和介绍相关的原始文献。 一、说明护身符的现代定义，解析古埃及语中护身符的词源，从中揭示古埃及护身符是全民族在共同的宗教信仰和强烈的社会功利性的基础上形成的具有审美思想的艺术活动的结晶。 二、介绍古埃及护身符诞生与演进的文化背景。“埃及宗教是艺术和审美的原动力”，古埃及护身符作为精美的艺术品，当然离不开孕育它的土壤——宗教信仰。其中，重点介绍“亡灵书”，它不仅是古埃及重要的原始文献，也是一种十分常见的护身符。 三、论述古埃及护身符的设计和分类。古埃及人认为护身符的颜色、材质和样式是其能否发挥魔力的关键；笔者依据外形的不同把古埃及护身符分为五大类，并对这五大类护身符进行总的分析。 四、介绍考古出土的常见的护身符，并对其进行具体的分析和归类。 五、分别从原始思维和埃及宗教在古埃及护身符中的表现来探讨古埃及的审美观念。 由于资料的欠缺和笔者水平的限制，，本文一定有所错漏，尚待进一步的完善。
[Abstract]:In terms of the number of archaeological sites found, ancient Egyptian society at all levels will wear amulets. The ancient Egyptian amulet was used not only to protect the living from the forces of evil and the enemy, but also to offer God his blessing, and to serve as a burial object for the dead, wrapped in the mummies, or in coffins. To help the dead enter another world, where they can enjoy peace, health, and prosperity. In foreign countries, ancient Egyptian amulet is classified into the category of ancient Egyptian witchcraft, and some works have been written, but the domestic research on this aspect is relatively simple, lacking of comprehensiveness and systematicness. The author hopes that through reading, translating, analyzing the ancient Egyptian original literature, "the Dead Book" and related English documents, and comparing with the archeological excavations of the amulet, the author will use the theory related to religious belief to analyze. This paper comprehensively and systematically interprets the types, production and efficacy of ancient Egyptian amulets, and excavates the rich information contained in ancient Egyptian talismans, such as myths and legends, religious beliefs, ways of thinking and aesthetic concepts. This paper is divided into six parts: introduction, a brief overview of the current domestic and foreign research on ancient Egyptian amulet and the introduction of the original literature. First, explain the modern definition of amulet and explain the etymology of amulet in ancient Egyptian. It is revealed that the ancient Egyptian amulet is the crystallization of aesthetic artistic activities formed by the whole nation on the basis of common religious belief and strong social utility. Second, introduce the cultural background of the birth and evolution of ancient Egyptian amulet. "Egyptian religion is the motive force of art and aesthetics", ancient Egyptian amulet, as a fine work of art, can not be separated from the soil that gave birth to it-religious belief. The book of the Dead is not only an important original document in ancient Egypt, but also a very common talisman. Third, discuss the design and classification of ancient Egyptian amulet. The ancient Egyptians thought that the color, material and style of the amulet were the key to its magic, and the author divided the amulet into five categories according to the different shapes, and analyzed the five kinds of amulets. Fourth, introduces the common amulet unearthed in archaeology, and analyzes and classifies it concretely. Fifth, the aesthetic conception of ancient Egypt is discussed from the aspects of primitive thinking and Egyptian religion in ancient Egyptian amulet. Due to the lack of data and the limitations of the author's level, this paper must have some mistakes and omissions, which need to be further improved.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：K884.11
本文编号：2192988
[Abstract]:In terms of the number of archaeological sites found, ancient Egyptian society at all levels will wear amulets. The ancient Egyptian amulet was used not only to protect the living from the forces of evil and the enemy, but also to offer God his blessing, and to serve as a burial object for the dead, wrapped in the mummies, or in coffins. To help the dead enter another world, where they can enjoy peace, health, and prosperity. In foreign countries, ancient Egyptian amulet is classified into the category of ancient Egyptian witchcraft, and some works have been written, but the domestic research on this aspect is relatively simple, lacking of comprehensiveness and systematicness. The author hopes that through reading, translating, analyzing the ancient Egyptian original literature, "the Dead Book" and related English documents, and comparing with the archeological excavations of the amulet, the author will use the theory related to religious belief to analyze. This paper comprehensively and systematically interprets the types, production and efficacy of ancient Egyptian amulets, and excavates the rich information contained in ancient Egyptian talismans, such as myths and legends, religious beliefs, ways of thinking and aesthetic concepts. This paper is divided into six parts: introduction, a brief overview of the current domestic and foreign research on ancient Egyptian amulet and the introduction of the original literature. First, explain the modern definition of amulet and explain the etymology of amulet in ancient Egyptian. It is revealed that the ancient Egyptian amulet is the crystallization of aesthetic artistic activities formed by the whole nation on the basis of common religious belief and strong social utility. Second, introduce the cultural background of the birth and evolution of ancient Egyptian amulet. "Egyptian religion is the motive force of art and aesthetics", ancient Egyptian amulet, as a fine work of art, can not be separated from the soil that gave birth to it-religious belief. The book of the Dead is not only an important original document in ancient Egypt, but also a very common talisman. Third, discuss the design and classification of ancient Egyptian amulet. The ancient Egyptians thought that the color, material and style of the amulet were the key to its magic, and the author divided the amulet into five categories according to the different shapes, and analyzed the five kinds of amulets. Fourth, introduces the common amulet unearthed in archaeology, and analyzes and classifies it concretely. Fifth, the aesthetic conception of ancient Egypt is discussed from the aspects of primitive thinking and Egyptian religion in ancient Egyptian amulet. Due to the lack of data and the limitations of the author's level, this paper must have some mistakes and omissions, which need to be further improved.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：K884.11
【参考文献】
相关期刊论文 前1条
1 赵克仁;;古埃及护身符的制作原理、分类与文化蕴涵[J];古代文明;2009年03期
本文编号：2192988
本文链接：https://www.wllwen.com/shekelunwen/kgx/2192988.html
