杭州烟霞洞五代罗汉造像研究
发布时间：2018-08-26 13:48
【摘要】： 杭州烟霞洞造像是全国重点文物保护单位西湖南山造像的重要组成部分。洞内现存有五代、宋代、清代以及1979年补塑的四个时期的造像,其中五代的罗汉群像被学术界公认为是现存最早的十六罗汉造像。20世纪50年代,史岩、俞剑华等人分别赴杭州南山一带考察。史岩考证了烟霞洞的造像内容和年代,认为洞内五代罗汉的数量一定为十六。同年,俞剑华等人在烟霞洞的造像内容和罗汉数量等方面提出不同观点,他们认为洞内五代罗汉的数量应为十八而非十六。但由于缺乏充分的考据,他们也不敢大胆地做出肯定。 目前,学术界尚未有人把烟霞洞的罗汉造像作为一个专题进行更深入地探讨。笔者在收集有关罗汉信仰、罗汉造像以及烟霞洞的相关资料后赴实地考察,确定对洞内现存的罗汉造像进行研究具有可行性。本文首先梳理中国罗汉信仰的发展脉络和演变过程,从历史的纵向沿革分析烟霞洞罗汉造像产生的时代文化背景,在此基础上探讨几个问题：一、烟霞洞的造像内容、布局和现状；二、烟霞洞罗汉造像的数量,本文通过分析烟霞洞的造像布局、尊者铭刻、降龙、伏虎罗汉的文化渊源以及烟霞洞与周围罗汉群像的联系等论证这一问题；三、烟霞洞罗汉造像的艺术风格和艺术地位。
[Abstract]:The Hangzhou-Yanxia Cave statue is an important part of the Xihu Nanshan statue, a national key cultural relic protection unit. There are five dynasties, the Song Dynasty, the Qing Dynasty and the four periods of replenishing plastic in 1979. Among them, the group of Luo Han of the five dynasties was recognized by the academic circles as the earliest existing statue of the Sixteen Luo Han. In the 1950s, Shi Yan was regarded as one of the earliest statues in existence. Yu Jianhua and others went to Hangzhou Nanshan area to investigate. Shi Yan has verified the content and age of the statue of Yanxia Cave, and holds that the number of Luo Han in the five dynasties must be sixteen. In the same year, Yu Jianhua and others put forward different views on the content of the statue of Hanxia Cave and the number of Luo Han. They thought that the number of five dynasties Luo Han in the cave should be eighteen instead of sixteen. But because of the lack of sufficient textual research, they dare not make a bold affirmation. At present, no one in academic circles has studied the figure of Luo Han in Hanxia Cave as a topic. After collecting the relevant information about Luo Han's belief, Luo Han statue and Yanxia Cave, the author went to the field to make sure that it is feasible to carry out the research on the existing sculptures of Luo Han in the cave. This article first combs the development vein and the evolution process of Luo Han's belief in China, analyzes the historical and vertical evolution of the era and cultural background of the Yanxia Dong Luo Han statue, and discusses several problems on this basis: first, the image content of the hazy cave. Layout and present situation; second, the number of Luo Han statues in Hanxia Cave. This paper demonstrates this problem by analyzing the image layout of the Hanxia Cave, the inscription of the Venerable, the descending Dragon, the Cultural Origin of the Fu Hu Luo Han, and the relationship between the Hanxia Cave and the nearby Luo Han images; third, The artistic style and the artistic status of the statue of Luo Han in Hanxia Cave.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
本文编号：2205054
[Abstract]:The Hangzhou-Yanxia Cave statue is an important part of the Xihu Nanshan statue, a national key cultural relic protection unit. There are five dynasties, the Song Dynasty, the Qing Dynasty and the four periods of replenishing plastic in 1979. Among them, the group of Luo Han of the five dynasties was recognized by the academic circles as the earliest existing statue of the Sixteen Luo Han. In the 1950s, Shi Yan was regarded as one of the earliest statues in existence. Yu Jianhua and others went to Hangzhou Nanshan area to investigate. Shi Yan has verified the content and age of the statue of Yanxia Cave, and holds that the number of Luo Han in the five dynasties must be sixteen. In the same year, Yu Jianhua and others put forward different views on the content of the statue of Hanxia Cave and the number of Luo Han. They thought that the number of five dynasties Luo Han in the cave should be eighteen instead of sixteen. But because of the lack of sufficient textual research, they dare not make a bold affirmation. At present, no one in academic circles has studied the figure of Luo Han in Hanxia Cave as a topic. After collecting the relevant information about Luo Han's belief, Luo Han statue and Yanxia Cave, the author went to the field to make sure that it is feasible to carry out the research on the existing sculptures of Luo Han in the cave. This article first combs the development vein and the evolution process of Luo Han's belief in China, analyzes the historical and vertical evolution of the era and cultural background of the Yanxia Dong Luo Han statue, and discusses several problems on this basis: first, the image content of the hazy cave. Layout and present situation; second, the number of Luo Han statues in Hanxia Cave. This paper demonstrates this problem by analyzing the image layout of the Hanxia Cave, the inscription of the Venerable, the descending Dragon, the Cultural Origin of the Fu Hu Luo Han, and the relationship between the Hanxia Cave and the nearby Luo Han images; third, The artistic style and the artistic status of the statue of Luo Han in Hanxia Cave.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
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