敦煌藏经洞P.4524《牢度叉斗圣变图》研究
发布时间：2018-10-16 16:59
【摘要】：敦煌藏经洞所出P.4524文书为一横长画卷,正面绘《劳度叉斗圣变》的六个斗法场面,背面文字来自敦煌藏经洞所出《降魔变文》,内容与正面画面情节一一对应。本文在前人研究的基础上,对画面进行了细读,并与同类题材壁画和传世卷轴画进行对比研究,认为这件文书正面的画幅以树为叙事故事间隔,六个故事情节构成一幅连环画卷,构图新颖、风格独特,是传统牢度叉斗圣变绘画题材的创新。画中出现不同层次绘画水平的构图表明此画卷非一人独立完成。画面中位于劳度叉身后的少数民族装束人物形象,映射了张议潮率众赶走吐蕃统治的历史事件。这幅画卷还是敦煌讲唱活动中使用的图像辅助,通过多个绘画细节可以判断此件文书为吐蕃统治之后归义军早期的作品。
[Abstract]:The P.4524 document produced by Dunhuang Tibetan Classics Cave is a horizontal and long picture scroll with six fighting scenes of "Laodu-Diaosheng" on the front. The back text comes from Dunhuang Tibetan Classical Cave's "Divine Divinity", and the content corresponds to the plot of the positive picture one by one. On the basis of previous studies, this paper makes a detailed study of the picture, and compares it with the murals of the same subject matter and the scroll painting of the same generation. It is considered that the front picture of this instrument is a tree as the narrative story interval. Six storylines constitute a comic book with novel composition and unique style. The composition of different levels of painting in the painting indicates that the scroll is not completed by one person alone. The image of ethnic costume figures behind Lao Du-chih reflects the historical event that Zhang Yu-tiao banished the Tubo rule. The scroll is also used in Dunhuang speaking and singing activities to assist the image, through a number of painting details can be identified as the document after the Tubo rule of the Rebellion's early works.
【作者单位】： 中央美术学院;敦煌研究院;
【分类号】：K879.4
[Abstract]:The P.4524 document produced by Dunhuang Tibetan Classics Cave is a horizontal and long picture scroll with six fighting scenes of "Laodu-Diaosheng" on the front. The back text comes from Dunhuang Tibetan Classical Cave's "Divine Divinity", and the content corresponds to the plot of the positive picture one by one. On the basis of previous studies, this paper makes a detailed study of the picture, and compares it with the murals of the same subject matter and the scroll painting of the same generation. It is considered that the front picture of this instrument is a tree as the narrative story interval. Six storylines constitute a comic book with novel composition and unique style. The composition of different levels of painting in the painting indicates that the scroll is not completed by one person alone. The image of ethnic costume figures behind Lao Du-chih reflects the historical event that Zhang Yu-tiao banished the Tubo rule. The scroll is also used in Dunhuang speaking and singing activities to assist the image, through a number of painting details can be identified as the document after the Tubo rule of the Rebellion's early works.
【作者单位】： 中央美术学院;敦煌研究院;
【分类号】：K879.4
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