辽塔密教图像义蕴考——兼及对图像配置的探讨
发布时间：2018-10-23 06:36
【摘要】：本文以辽塔遗存上的密教图像为研究对象,揭示出随着辽代密教的发展,八塔信仰与密教金刚界曼荼罗相结合,将代表佛祖胜迹的八塔以五方佛的观念集合到一塔之上,形成了对八大灵塔图像的最新诠释,而八塔信仰又对辽代佛塔形制、经幢以及墓葬形制产生直接或间接的影响。辽人能够吸收接受汉地七佛信仰相关经典的翻译,并以视觉化的大日如来图像形式呈现转轮王的形象,从而与追求纯密且揉合了华严信仰的辽代密教结合发展出七佛造像的新形式。通过对上述图像和信仰的解读,从中可见辽代密教对辽塔图像义蕴和配置的影响。
[Abstract]:This paper takes the image of secret religion on the remains of the Liao pagoda as the research object, and reveals that with the development of the secret religion in the Liao Dynasty, the eight pagoda beliefs are combined with the Emery mandala of the secret religion, and the eight pagodas, which represent the Buddha's victory, are assembled on one tower with the concept of the five Buddhas. It forms the latest interpretation of the images of the eight pagodas, and the belief of the eight pagodas has a direct or indirect effect on the pagodas of the Liao Dynasty, through the buildings and tombs. The Liao people were able to absorb and accept translations of the relevant scriptures of the seven Buddhas of the Han Dynasty and present the image of the wheel king in the form of a visual image of the Great Day Tathagata. Thus, with the pursuit of pure secrecy and the combination of Hua Yan belief in the Liao Dynasty, the secret religion developed a new form of the seven Buddhas. Through the interpretation of the above images and beliefs, we can see the influence of the secret religion on the meaning and disposition of the Liao pagoda image.
【作者单位】： 首都师范大学美术学院汉藏佛教美术研究所;
【基金】：北京市社会科学基金重大项目“7至13世纪汉藏与多民族文明关系史”的阶段性成果(14ZDA11)
【分类号】：K879.4
[Abstract]:This paper takes the image of secret religion on the remains of the Liao pagoda as the research object, and reveals that with the development of the secret religion in the Liao Dynasty, the eight pagoda beliefs are combined with the Emery mandala of the secret religion, and the eight pagodas, which represent the Buddha's victory, are assembled on one tower with the concept of the five Buddhas. It forms the latest interpretation of the images of the eight pagodas, and the belief of the eight pagodas has a direct or indirect effect on the pagodas of the Liao Dynasty, through the buildings and tombs. The Liao people were able to absorb and accept translations of the relevant scriptures of the seven Buddhas of the Han Dynasty and present the image of the wheel king in the form of a visual image of the Great Day Tathagata. Thus, with the pursuit of pure secrecy and the combination of Hua Yan belief in the Liao Dynasty, the secret religion developed a new form of the seven Buddhas. Through the interpretation of the above images and beliefs, we can see the influence of the secret religion on the meaning and disposition of the Liao pagoda image.
【作者单位】： 首都师范大学美术学院汉藏佛教美术研究所;
【基金】：北京市社会科学基金重大项目“7至13世纪汉藏与多民族文明关系史”的阶段性成果(14ZDA11)
【分类号】：K879.4
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