内蒙古阿尔寨石窟31窟壁画研究

发布时间：2019-02-22 08:11

【摘要】：本文的研究对象是阿尔寨石窟31窟十一面观音、毗沙门天王与八大夜叉曼陀罗壁画。阿尔寨石窟坐落在内蒙古鄂托克旗阿尔巴斯山中。迄今为止发现于内蒙古草原的,具有较大规模的石窟仅此一座。草原上一座拔地而起的红色砂质岩石包上的阿尔寨石窟是一座集寺庙、宫殿、石窟建筑、摩崖石刻造像、壁画、雕塑、回鹘蒙古文、梵文、藏文榜题、八思巴文为一体的佛教艺术宝库,也是一座集礼佛与祭祀双重功能的石窟寺。本文以阿尔寨石窟31窟壁画为切入点,通过对其内容的考释、神灵体系及相关内容的探讨,进而阐明阿尔寨石窟壁画的神灵体系及多民族文化交流之间的关系。结合历史文献,对阿尔寨石窟壁画图像进行分析,详细分解内蒙古阿尔寨石窟31窟壁画的内容；阿尔寨石窟31窟壁画不仅传承并发展了来自藏传佛教的题材,而且体现了具有中原文化特色的艺术形式；同时壁画中所表现的蒙古族佛教内容是内蒙古藏传佛教地域性和民族性的体现,以此揭示阿尔寨石窟在内蒙古地区的广泛建造的内在原因,及其与内蒙古地区宗教、政治、文化的联系。本文将从四个方面对阿尔寨石窟现存的大量历史遗存进行全面的梳理和研究。第一部分：从历史学的角度,运用包括《蒙古秘史》、《中国宗教美术史》在内的诸多文献资料,对于阿尔寨石窟的历史沿革、文献著录和存废状况全面加以考察；第二部分：运用考古学和历史学的方法,对阿尔寨石窟31窟观音救八难图、毗沙门天王及八大夜叉曼陀罗进行释读和疏证。第三部分：西藏、敦煌等不同地区的毗沙门天王与八大夜叉进行比较研究。第四部分：对阿尔寨石窟壁画所反映出的一系列问题进行初步的研究,除其自身的特殊的历史价值和艺术价值外,还从多方面显示出多民族文化交流的信息。
[Abstract]:The research objects of this paper are 11 facets of Guanyin in 31 grottoes of Alzhai Grottoes, the King of Pishamen and the Mural of the eight Night Forks. Al Zhai Grottoes is located in the Inner Mongolia Okok Banner in the Alba Mountain. So far found in Inner Mongolia grassland, with a relatively large-scale grottoes only one. The Alzhai Grottoes, a collection of temples, palaces, grottoes, cliff carvings, murals, sculptures, Uighur Mongolian, Sanskrit and Tibetan inscriptions, The Buddhist art treasure house of Basiba is also a grotto temple with the functions of ritual Buddha and sacrifice. This paper takes the murals of the 31 grottoes of Alzhai Grottoes as the breakthrough point, through the textual research of the contents, the discussion of the system of the gods and the related contents, and then clarifies the relationship between the spirit system of the murals of the Alzhai Grottoes and the cultural exchange of many nationalities. Combining with historical documents, this paper analyzes the images of the murals of the Alzhai Grottoes, and decomposes the contents of the murals of the 31 grottoes of Alzhai Grottoes in Inner Mongolia in detail. The murals of the 31 grottoes of Alzhai Grottoes not only inherit and develop the subject matter from Tibetan Buddhism, but also embody the artistic form with the cultural characteristics of the Central Plains. At the same time, the Mongolian Buddhist content in the murals is a reflection of the regional and national character of Tibetan Buddhism in Inner Mongolia, thus revealing the internal reasons for the extensive construction of the Alzhai Grottoes in Inner Mongolia, as well as their relationship with religion and politics in Inner Mongolia. Cultural ties. In this paper, a large number of existing historical remains of Alzhai Grottoes will be comprehensively combed and studied from four aspects. The first part: from the historical point of view, using a lot of documents, including Mongol Secret History, Chinese religious Art History, to investigate the historical evolution of Alzhai Grottoes, the description of documents and the status of preservation and abolition in an all-round way. The second part: using the method of archaeology and history, this paper interprets and dissects the picture of Guanyin saving eight difficulties, the King of Vishamen and the eight night fork mandala in Alzhai Grottoes. The third part: the comparative study between the Pishamen King and the eight Night Forks in different areas of Tibet and Dunhuang. The fourth part: a series of problems reflected by the murals of Alzhai Grottoes are preliminarily studied. In addition to its own special historical and artistic value, it also shows the information of multi-national cultural exchange from many aspects.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.41;J218.6

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