当前中国青年亚文化的审美研究

发布时间：2018-03-11 05:35

本文选题：青年亚文化　切入点：审美维度　出处：《四川师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：在现代多元文化语境中,青年亚文化作为一种独特的文化现象,对青年人乃至整个社会的审美文化和时代精神的形成都具有深刻的影响。在中国正处于经济文化快速发展的社会转型期,揭示青年亚文化在新的历史条件下审美思维和审美价值的独特内涵与成因,有助于对青年亚文化和青年群体更为深刻、全面的了解,为社会审美研究和美育方法探讨提供支持借鉴,丰富中华民族的审美殿堂。笔者将当前中国青年亚文化整体看做一个“巨型文本”,通过对其典型文本的解读来理解中国青年亚文化审美形态中“大风格”的形成特点和历史成因。通过对丰富而个性的青年亚文化审美文化现象的分析,理清青年亚文化独特的审美思维,是本文的核心任务。本文选取了流行语、耽美文学、非主流图片摄影、跑酷运动四个当前中国青年亚文化的典型代表,解读了当前青年亚文化追求个性、酷感,具有排他性,热衷感性表达等突出的风格特点,并将青年亚文化置于审美维度的层面进行关照,从三个方面论述了青年亚文化的审美思维和审美意义:青年亚文化带有反权威、颠覆性、通俗化、多元化等鲜明的后现代主义特征,它积极消解“后喻式文化”,颠覆既有主导价值观念和审美意识,建设属于青年亚文化群体的话语权,取得自我认同的快感;青年亚文化以当下性的目光关注生活和个体经验,引发了青年亚文化的审美泛化和崇尚快感体验的鉴赏品味,表现出对大众流行文化和俗文化“恶趣味”的热衷,这也是青年群体企图通过颂扬禁忌和异常的事物,形成对权威意识形态教化和训导的反抗;青年亚文化映射出对于生活急切的热爱和对社会形态的思考,但当代的青年亚文化绝大部分停滞在“生活关切”层面,呈现混沌审美境界下无信仰的繁殖。笔者还综合国内外对青年亚文化成因的理论分析,着重从中国传统教育模式和观念对青年亚文化影响的角度,阐述了青年亚文化对主流文化反叛意识的形成以及缺乏创新思维的历史成因。
[Abstract]:In the context of modern multiculturalism, youth subculture is a unique cultural phenomenon. It has a profound influence on the formation of aesthetic culture and the spirit of the times for young people and the whole society. In China, it is in the period of rapid economic and cultural development in the period of social transformation. Revealing the unique connotations and causes of the aesthetic thinking and aesthetic value of the youth subculture under the new historical conditions is helpful to a deeper and more comprehensive understanding of the youth subculture and the youth group. For the study of social aesthetics and aesthetic education methods to provide support for reference, In order to enrich the aesthetic palace of the Chinese nation, the author regards the present Chinese youth subculture as a "giant text" and interprets its typical text to understand the formation of "big style" in the aesthetic form of Chinese youth subculture. Characteristics and historical causes. Through the analysis of the rich and individual youth subcultural aesthetic cultural phenomenon, It is the core task of this paper to clarify the unique aesthetic thinking of youth subculture. This paper selects four typical representatives of Chinese youth subculture, such as catchwords, danmei literature, non-mainstream photo photography and parkour, and interprets the pursuit of personality, cool feeling and exclusiveness of the current youth subculture. Keen on perceptual expression and other outstanding style characteristics, and put the youth subculture on the level of aesthetic dimension to take care of, from three aspects discussed the youth subculture aesthetic thinking and aesthetic significance: youth subculture with anti-authority, subversive, subversive. The characteristics of post-modernism, such as popularization and pluralism, are active in dispelling "post-figurative culture", subverting the existing dominant values and aesthetic consciousness, constructing the right of speech belonging to the subcultural group of youth, and obtaining the pleasure of self-identification. The youth subculture pays attention to life and individual experience with the present eyes, which leads to the aesthetic generalization of youth subculture and appreciation taste of advocating pleasure experience, and shows the enthusiasm for popular culture and vulgar culture "evil taste". This is also an attempt by youth groups to resist the ideological indoctrination and discipline of authority by glorifying taboos and anomalies; the youth subculture reflects a keen love for life and a reflection on social formation. However, most of the contemporary youth subculture stagnates at the level of "life concern", showing the propagation of no belief under the chaotic aesthetic realm. The author also synthesizes the theoretical analysis of the causes of youth subculture at home and abroad, focusing on the influence of Chinese traditional education mode and concept on youth subculture. This paper expounds the formation of youth subculture's rebellious consciousness to mainstream culture and the historical causes of lack of innovative thinking.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：C913.5

【引证文献】