城市转型时期的空间改造与文化重构——京味话剧中的当代胡同市民形象解读

发布时间：2018-06-25 06:31

本文选题：胡同 + 四合院　；参考：《华中师范大学学报(人文社会科学版)》2017年03期

【摘要】：在京味话剧的舞台上,20世纪90年代以后,胡同市民或是固步自封地坚守胡同-四合院的城市空间及其所承载的老北京文化,或是转而谋求经济利益,却由于长期浸染于安逸的胡同文化,其商业意识、竞争能力、文化资本等不足以适应以市场经济为主导的城市生活。在城市的现代化进程之下,胡同市民的文化心理仍处于重构之中。他们的现代转型亦滞后于城市的空间改造。在市场经济时代,胡同-四合院的居住空间既是一种生产对象,也是一件可供交易的商品,而以房地产开发商为主导的城市改造实为一种以盈利为目的的空间生产。面对北京旧城的更新改造,胡同市民由于经济能力的限制,只能被迫迁往城市的郊区,新的有钱阶层则取而代之地入驻城市的中心。可见城市的空间改造也是一种阶层分布和社会结构的重组。这其中的变化和落差将直接导致胡同市民的身份危机和城市认同感的缺失。
[Abstract]:On the stage of the Jingwei drama, after the 1990s, the residents of hutongs either stuck firmly to the urban space of hutong, the courtyard and the old Beijing culture they carried, or turned to seek economic benefits. However, because of its long and comfortable hutong culture, its commercial consciousness, competitive ability and cultural capital are not enough to adapt to the market economy as the leading city life. In the process of urban modernization, the cultural psychology of Hutong people is still in the process of reconstruction. Their modern transformation also lags behind the urban space transformation. In the era of market economy, the living space of hutong-courtyard is not only a kind of production object, but also a commodity that can be traded. In the face of the renovation of Beijing's old city, the residents of hutongs have been forced to move to the suburbs of the city because of economic constraints, and the new rich class has taken their place in the center of the city. It can be seen that the spatial transformation of the city is also a class distribution and the reorganization of social structure. The changes and differences will directly lead to the hutong identity crisis and the lack of urban identity.
【作者单位】：上海师范大学都市文化研究中心;
【基金】：国家社会科学基金青年项目“中国当代电影中的城市叙事研究(1949-2015)”(16CZW055)
【分类号】：C912.8

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