意大利文艺复兴时期的典雅爱情观

发布时间：2018-03-20 13:49

本文选题：典雅爱情　切入点：意大利　出处：《郑州大学》2009年硕士论文　论文类型：学位论文

【摘要】：从十四世纪起,欧洲的庄园制度、采邑制度、骑士制度以及行会制度逐渐走向衰落,标志着封建制生产关系不再适应生产力的发展。与此同时,一种适应城市勃兴需要、符合新兴市民阶级愿望的新的意识形态和思维方式首先在意大利的佛罗伦萨等地萌动。这场文艺复兴运动在欧洲持续了三百年之久,它是一场启蒙运动,尤其是发现人的价值、张扬人的个性的人本主义文艺运动对西方社会影响巨大。意大利上层社会包括爱情观在内的道德观念都发生了一系列深刻的变化。人文主义者们作为意大利社会中的一个较为特殊的文化阶层,对于当时的社会上的政治、现实都有着较深的体会。人文主义者对这些变化都作出了自己的回应:集中的体现到他们作品中反映出的爱情观之中。我们就是要通过分析意大利社会中存在的这种典雅爱情观,来找到文艺复兴时期意大利历史发展的脉络。文艺复兴时期的典雅爱情是对中世纪典雅爱情的继续和发展。典雅爱情的起源于法国南部的普罗旺斯的抒情诗中,由于当时西欧经济复苏城市勃兴等等特殊社会环境导致其在欧洲的传播和发展;在此基础上,其除了与中世纪典雅爱情相似的三个特征:平等性、婚外性和单恋性之外,文艺复兴时期的典雅爱情有着较之于中世纪典雅爱情更为理性的特点。通过分析但丁、彼特拉克、薄伽丘、博亚尔多、阿里奥斯托和塔索的原始著作,得出他们的爱情观中含有产生于中世纪骑士精神的典雅爱情的观念。并且这种典雅爱情观随着意大利文艺复兴从早期过渡到盛期、再到晚期的过程中也有着显著的变化,愈来愈承认爱情是一种不可抗拒的力量。这些经典的文学作品主要包括早期但丁的《新生》、《神曲》,彼特拉克的《歌集》和薄伽丘的《爱情十三问》、《爱的摧残》等;还包括中晚期浦尔契的《巨人莫尔甘特》,博亚尔多的《热恋的奥兰多》,阿里奥斯托的《疯狂的奥兰多》,塔索的《里纳尔多》、《被解放的耶路撒冷》、《阿明达》和本博的《阿索洛人》。通过对意大利文艺复兴早期的人文主义者的作品和中晚期的作品进行比较,会发现其典雅爱情观的相似点和不同点以及这种爱情观对社会的影响,集中体现在女性地位提高和对人文主义者的净化。
[Abstract]:Since 14th century, European manor system, fiefdom system, chivalry system and guild system have gradually declined, indicating that the feudal production relations no longer adapt to the development of productive forces. New ideologies and ways of thinking that correspond to the aspirations of the new class of citizens first sprang up in places such as Florence, Italy. The Renaissance, which lasted for three hundred years in Europe, was an Enlightenment, especially the discovery of human values. The humanistic literature and art movement of publicizing people's individuality has a great influence on the western society, and a series of profound changes have taken place in the moral concepts of the upper class of Italy, including the concept of love. Humanists, as a relatively special cultural class in Italian society, were concerned about the politics of the society at that time. There is a deep understanding of reality. Humanists have responded to these changes: concentrated in their works reflected in the view of love. We are to analyze the existence of Italian society. This elegant view of love, To find the context of the Italian history of the Renaissance. The classical love of the Renaissance was a continuation and development of medieval elegance, which originated in the lyric poems of Provence in southern France. At that time, due to the special social environment, such as the economic recovery of western Europe, urban prosperity and so on, it spread and developed in Europe. On this basis, in addition to its three characteristics similar to medieval elegant love: equality, extramarital sex and single love, The classical love in the Renaissance had more rational characteristics than that in the Middle Ages. By analyzing the original works of Dante, Petrarch, Pegacchio, Boyaldo, Ali Osto and Tasso, It is concluded that their view of love contains the idea of elegant love, which originated from the medieval chivalry, and that this view of elegant love has changed significantly in the course of the transition from the early to the peak of the Italian Renaissance, and then to the later period. There is a growing recognition that love is an irresistible force. These classical works mainly include the early Dante's "New Life", "Divine songs", Petrarch's "Song Collection" and Pogacchio's "Love 13 question", "the destruction of Love" and so on; It also includes the late Puerchi Giant Morgante, Boyaldo's Olando in Love, Ali Osto's Crazy Orlando, Tasso's Rinaldo, liberated Jerusalem, Aminda and Bembo's Asolo. By comparing the works of the early Italian Renaissance humanists with the works of the middle and late period, we can find the similarities and differences of their elegant views of love and the influence of this view of love on the society. It is embodied in the improvement of the status of women and the purification of humanists.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K546.3

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