高丽使臣的“小中华馆”与朝鲜“小中华”意识的起源
发布时间：2018-11-26 07:52
【摘要】："小中华"最初是宋人在高丽文宗时期(1046—1083年)赠予高丽的称号,它与宋朝将高丽使馆命名为"小中华馆"这一事件紧密相连。高丽基于慕华思想和抵抗辽金的需要,努力派遣使臣与宋朝结盟,而共同的战略利益和高丽使臣高水平的诗文也使宋朝产生了强烈的共鸣,由此"小中华馆"诞生在宋丽外交中。这一称谓当时更多地带有外交色彩,还没有成为总体性的文化自觉。高丽末期,以李穑为代表的高丽儒臣在朱子学和元明易代的影响下,对"小中华馆"进行了重新追述和诠释,使之超越了宋丽外交的历史语境,赋予其鲜明的现实意义和华夷意识。此后,"小中华"开始升华为高丽的身份认同和文化体认,并上升为儒臣士族的政治理想,这反映了新兴的儒臣势力的崛起。因此,宋代的"小中华馆"是后来朝鲜王朝反复强调的"小中华"意识的思想起点。
[Abstract]:"Little China" was originally given to Koryo by Song people during the period of Koryo Wenzong (1046-1083), which was closely related to the event that Koryo Embassy was named "Little China Museum" in Song Dynasty. Based on the thought of Muhua and the need of resisting Liaojin, Koryo made great efforts to send envoys to form an alliance with the Song Dynasty, and the common strategic interests and the high level of poems and writings of Korean envoys also made the Song Dynasty have a strong resonance. Thus, the "Little China Pavilion" was born in Song Li's diplomacy. At that time, the title was more diplomatic, and still not a total cultural consciousness. In the late period of Korea, under the influence of Zhu Zi and Yuan and Ming Dynasty, Li Qiang, a representative of Koryo, restated and annotated the Little China Pavilion, which transcended the historical context of Song Li's diplomacy. Endow it with distinct realistic significance and consciousness of Hua Yi. Since then, Little China began to sublimate into Korean identity and cultural understanding, and rose to the political ideal of Confucian scholars, which reflected the rise of new Confucian forces. Therefore, the Little China Pavilion in the Song Dynasty was the starting point of the consciousness of the Little China, which was emphasized repeatedly by the Korean Dynasty.
【作者单位】： 复旦大学历史系;
【基金】：韩国国际交流财团(Korea Foundation)的资助
【分类号】：K312.33
，
本文编号：2357860
[Abstract]:"Little China" was originally given to Koryo by Song people during the period of Koryo Wenzong (1046-1083), which was closely related to the event that Koryo Embassy was named "Little China Museum" in Song Dynasty. Based on the thought of Muhua and the need of resisting Liaojin, Koryo made great efforts to send envoys to form an alliance with the Song Dynasty, and the common strategic interests and the high level of poems and writings of Korean envoys also made the Song Dynasty have a strong resonance. Thus, the "Little China Pavilion" was born in Song Li's diplomacy. At that time, the title was more diplomatic, and still not a total cultural consciousness. In the late period of Korea, under the influence of Zhu Zi and Yuan and Ming Dynasty, Li Qiang, a representative of Koryo, restated and annotated the Little China Pavilion, which transcended the historical context of Song Li's diplomacy. Endow it with distinct realistic significance and consciousness of Hua Yi. Since then, Little China began to sublimate into Korean identity and cultural understanding, and rose to the political ideal of Confucian scholars, which reflected the rise of new Confucian forces. Therefore, the Little China Pavilion in the Song Dynasty was the starting point of the consciousness of the Little China, which was emphasized repeatedly by the Korean Dynasty.
【作者单位】： 复旦大学历史系;
【基金】：韩国国际交流财团(Korea Foundation)的资助
【分类号】：K312.33
，
本文编号：2357860
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