古埃及阿玛尔纳时期艺术成就的历史解析
发布时间：2019-05-21 15:36
【摘要】：阿玛尔纳艺术是埃赫那吞改革时期产生的新的艺术形式,对这一时期的艺术作品进行研究,有助于我们加深对当时历史的理解。本文在写作上从建筑、雕塑、绘画等角度入手,搜集、整理了大量阿玛尔纳艺术作品,并将它们与埃赫那吞改革前后的艺术作品就内容和表现形式进行比较,总结出这一时期艺术风格的特点,力求揭示其反映的社会观念以及所占据的独特的历史地位。全文包括绪论和正文共六个部分,总结如下： 绪论部分对阿玛尔纳艺术的概念进行界定,阐述了本论题的研究意义,国内外研究现状和存在的问题与不足,以及应用的主要研究方法,并列举了主要的史料来源。 第一章介绍了阿玛尔纳艺术的产生。从历史的原因和现实角度出发寻找其产生根源,得出这样的结论：古代埃及专制统治的传统和对于来世永恒生活的向往使阿玛尔纳艺术具备了固定法则。同时埃赫那吞改革直接导致了阿玛尔纳艺术的正式产生。这一章包含如下两节：第一节论述阿玛尔纳艺术中传统因素的形成和阿吞因素的出现。由于阿玛尔纳艺术是在埃赫那吞宗教改革直接推动下产生的,所以太阳神阿吞的正式出现也就预示了阿玛尔纳艺术的开端。第二节论述阿玛尔纳艺术产生的时代背景。阿蒙神权对王权的挑战、阿蒙霍特普三世反抗阿蒙神权的斗争以及埃赫那吞的个人支持推动了改革的产生和阿玛尔纳艺术的出现。埃赫那吞提倡描写现实,反对传统模式,给艺术家们以充分的自由,允许他们打破陈规,根据真实生活从事艺术创作,最终促使阿玛尔纳艺术产生。 第二章列举阿玛尔纳时期典型的艺术作品并与之前的艺术作品加以比较,分析阿玛尔纳艺术不同于其他时期埃及艺术的特点。本章由两节构成。第一节从建筑、雕塑、绘画三个角度来介绍阿玛尔纳时期的艺术成就。比较之前的同类作品,阿玛尔纳时期的这些作品呈现出不同的特点。第二节介绍了阿玛尔纳艺术的特征,阿玛尔纳艺术既是古埃及艺术传统积淀的结果,又是埃赫那吞新时代改革的产物,因而兼有民族特征与时代特征双重特性。这一节也有两个部分：一、分析阿玛尔纳艺术的民族特征。作为伴随改革产生的特殊艺术风格,阿玛尔纳艺术并未完全摒弃其民族传统。浓厚的民族风格在阿玛尔纳艺术作品中有着明显的体现,成为阿玛尔纳艺术风格中最为本质的部分,正是这种民族特征使阿玛尔纳艺术成为古埃及艺术的杰出代表。二、分析阿玛尔纳艺术的时代特征,从内容和表现形式上展开。高度的写实与活泼的画风使古埃及艺术达到了前所未有的繁荣局面,客观上使当时的历史得以如实体现。 第三章讨论阿玛尔纳艺术反映的社会观念问题,这一时期的古埃及社会观念呈现新的特点,主要体现在宗教观和审美观的变动上。第一节论述阿玛尔纳艺术的宗教观,主要从两种角度来分析。一是王室宗教观。体现在对阿吞神的一神专崇拜和对其他神的遗弃上,也体现了埃赫那吞重树法老权威的愿望。二是贵族宗教观。这一时期的贵族阶层呈两面倒的趋势,部分新贵追随法老,信仰阿吞一神教；而世袭贵族为了维护自身利益倾向于回归传统。三是民间信仰。这一时期民间依然流行多神崇拜,体现在发现的大量贝斯神的形象。另一方面民众对官方宗教阿吞神的崇拜持漠视态度。第二节论述阿玛尔纳时代的审美观,新的艺术形式的形成必然有新的审美观念作指导。阿玛尔纳时期的古埃及社会审美观念也有了巨大变化。不同的阶层有不同的审美观,阿玛尔纳时期古埃及的审美出现了新的趋向。一、官方审美从宗教仪式主义转向了写实主义,体现了法老的追求。二、而民间审美反应比较迟钝,阿玛尔纳城的居民可能对此比较敏感,而其他地方的居民普遍继续追求仪式主义。 第四章介绍了阿玛尔纳艺术的历史地位。阿玛尔纳艺术不仅在艺术史上地位突出,是埃及艺术高度繁荣时期的象征,而且还具有重要的历史研究价值。本章分为两部分,具体如下：一、介绍了阿玛尔纳艺术的时代意义。政治方面,阿玛尔纳艺术宣传和扩大了埃赫那吞改革的影响,并将埃赫那吞改革的精神传递到现在。宗教方面,体现为阿玛尔纳艺术作品全面呈现并宣扬阿吞一神教观念。同时,阿玛尔纳艺术的时代意义还体现在对外交关系的促进上。二、在艺术史上的地位。在埃及艺术发展史中,阿玛尔纳艺术起了承前启后的作用。它不仅在根本上继承了埃及艺术的传统规则,而且加以突破发展,添入了新的元素,使古埃及艺术一度繁荣鼎盛。 结语对全文进行了总结。本文的创新之处在于文章采用了从艺术史和社会史双重角度对阿玛尔纳艺术进行分析的方法。重点明确了阿吞神产生的过程,总结了阿玛尔纳艺术的特点,并论述了阿玛尔纳艺术所反映的社会观念。大量的资料解析证明,在阿玛尔纳时期不同阶层的人对于阿吞崇拜和审美概念持有不同的观点。而这种状况之所以出现,主要是由古埃及人的实用主义观念至上决定的。对于古埃及人来说,自身利益高于一切,各种观念都可以随之而变。
[Abstract]:Amarna's art is a new form of art that is produced in the period of the reform of the Eech. The study of the works of art during this period will help us to deepen our understanding of the history. This paper, from the angle of architecture, sculpture, painting and so on, has collected and organized a lot of Armani works of art and compared them with the works of art before and after the reform of Ech's annexation, and summed up the characteristics of the artistic style during this period. It seeks to reveal the social concept and the unique historical position it occupies. The full text includes the introduction and the body of six parts, and the summary is as follows: The introduction part defines the concept of Amarna's art, expounds the research significance of this thesis, the present situation of the research and the existing problems and deficiencies both at home and abroad, and the main research of the application The main historical materials are listed in this paper. Source. Chapter I. Introduction to Amarna From the historical reasons and the realistic angle, the author finds out the origin of the art, and draws the conclusion that the tradition of the ancient Egyptian despotism and the longing for the eternal life of the world made the Armani art possess. A fixed rule. At the same time, Eech's reform directly led to Amarna's art. This chapter contains the following two sections: the first section deals with the formation of traditional factors in the Armani art and the swallow The appearance of factors, because of the direct drive of the Armani art in Eech's religious reform, the official appearance of the sun god's annexation also foreshadowed the Armani. The beginning of art. The second section discusses the art of Armani. The background of the time, the challenge of the right of Ammon to the power of the king, the struggle against the right of the Ammon and the personal support of Eech, and the generation of the reform and the Amarna's support. The emergence of art. Eech, which advocates the description of the reality, opposes the traditional pattern, gives the artists the full freedom, allows them to break the rules, engage in artistic creation according to the real life, and finally promote the Armani. The second chapter lists the typical works of art in the Armani era and compared it with the previous works of art. The analysis of the Armani art is different from others. The Characteristics of the Egyptian Art in the Period This chapter is composed of two sections. The first section introduces Armani from three angles of architecture, sculpture and painting. The artistic achievement of the period. The works of the same kind before the comparison, the works of the Amarna period. The second section introduces the characteristics of Amarna's art, and Amarna's art is not only the result of the traditional accumulation of ancient Egyptian art, but also the product of the reform of Ech's new era. The features of the times are double. This section also has two parts: one, the analysis of the Armani The national character of the art. As a special artistic style, the art of Amarna is not finished. It is the most essential part of the Armani artistic style, which is the most essential part of the Armani artistic style. and the outstanding representative of the art. II. Analyze the characteristics of the time of Amarna's art, from the content and in the form of expression, the high degree of the realistic and lively drawing of the painting brought the ancient Egyptian art to an unprecedented prosperity situation, which objectively made the time The third chapter discusses the social concept of Armani art, and the ancient Egyptian social concept of this period presents a new characteristic, which is mainly embodied in In the first section, the religious view of Amarna's art is discussed in section I. mainly from two angles The first is the view of the royal religion, which is embodied in the worship of the god of the god of the god and the abandonment of other gods. The authority of Pharaoh's pharaoh. The second is the nobleman's view of religion. The aristocracy of this period has a double-faced tendency, and some of the new ones followed Pharaoh's and the belief in the one-to-one religion; and the hereditary nobles were in order to maintain it. self-interest tends to Return to the tradition. The third is the folk belief. In this period, the folk still popular with the worship of the gods, which are reflected in The image of a great number of Beth-gods, on the other hand, on the official religion. In the second section, the aesthetic of the Armani era and the formation of the new art form will be discussed in section II. The ancient Egyptian society in the period of Amarna. The concept of aesthetic appreciation has also changed greatly. Different levels have different aesthetic and aesthetic values, and the time of Armani time is ancient. and the aesthetic appearance of the new trend. One, the official aesthetics turned from the religious ceremony to the realistic In the second place, the folk aesthetic response is relatively slow, and the inhabitants of the Armani city may be more sensitive to this, and the rest of the rest of the world The people generally continue to pursue the ritual. Chapter IV The article introduces the historical position of Amarna's art. The Armani art is not only a prominent place in the history of art, but also a symbol of the height and prosperity of the Egyptian art. It also has important historical research value. This chapter is divided into two parts, as follows:1. In this paper, the time significance of Amarna's art is introduced. In the aspect of politics, Amarna's art propaganda and the expansion of the influence of the Ech's annexation reform, and will The spirit of Eech's reform is transferred to the present. Religious aspects are reflected in the Armani works of art. All-round presentation and promotion of the concept of the one-to-one religion, and the time of Amarna's art. The meaning is also reflected in the diplomatic relations. To promote the status of... in the history of art. In the history of Egyptian art, Aah Mariner's art has played an important role in the past. It not only inherits the traditional rules of Egyptian art at all, but also breaks through the development and adds new elements. In that ancient Egyptian art. The paper summarizes the full text of the paper. The innovation of this paper is that the article has adopted from the history of art and the history of the society. The method of the analysis of Amarna's art is focused on the process of the generation of Agara, and the characteristics of Amarna's art are summarized, and the characteristics of Amarna's art are summarized. The social concept reflected by Amarna's art is discussed. A large number of data analysis has proved that people of different strata in the Amarna period were right Different views are held in the concept of the adduction and the aesthetic, and this is the case, mainly The idea of the pragmatism of the ancient Egyptians is supreme. For the ancient Egyptians, it is self-interest.
【学位授予单位】：吉林大学
【学位级别】：博士
【学位授予年份】：2011
【分类号】：K411
本文编号：2482198
[Abstract]:Amarna's art is a new form of art that is produced in the period of the reform of the Eech. The study of the works of art during this period will help us to deepen our understanding of the history. This paper, from the angle of architecture, sculpture, painting and so on, has collected and organized a lot of Armani works of art and compared them with the works of art before and after the reform of Ech's annexation, and summed up the characteristics of the artistic style during this period. It seeks to reveal the social concept and the unique historical position it occupies. The full text includes the introduction and the body of six parts, and the summary is as follows: The introduction part defines the concept of Amarna's art, expounds the research significance of this thesis, the present situation of the research and the existing problems and deficiencies both at home and abroad, and the main research of the application The main historical materials are listed in this paper. Source. Chapter I. Introduction to Amarna From the historical reasons and the realistic angle, the author finds out the origin of the art, and draws the conclusion that the tradition of the ancient Egyptian despotism and the longing for the eternal life of the world made the Armani art possess. A fixed rule. At the same time, Eech's reform directly led to Amarna's art. This chapter contains the following two sections: the first section deals with the formation of traditional factors in the Armani art and the swallow The appearance of factors, because of the direct drive of the Armani art in Eech's religious reform, the official appearance of the sun god's annexation also foreshadowed the Armani. The beginning of art. The second section discusses the art of Armani. The background of the time, the challenge of the right of Ammon to the power of the king, the struggle against the right of the Ammon and the personal support of Eech, and the generation of the reform and the Amarna's support. The emergence of art. Eech, which advocates the description of the reality, opposes the traditional pattern, gives the artists the full freedom, allows them to break the rules, engage in artistic creation according to the real life, and finally promote the Armani. The second chapter lists the typical works of art in the Armani era and compared it with the previous works of art. The analysis of the Armani art is different from others. The Characteristics of the Egyptian Art in the Period This chapter is composed of two sections. The first section introduces Armani from three angles of architecture, sculpture and painting. The artistic achievement of the period. The works of the same kind before the comparison, the works of the Amarna period. The second section introduces the characteristics of Amarna's art, and Amarna's art is not only the result of the traditional accumulation of ancient Egyptian art, but also the product of the reform of Ech's new era. The features of the times are double. This section also has two parts: one, the analysis of the Armani The national character of the art. As a special artistic style, the art of Amarna is not finished. It is the most essential part of the Armani artistic style, which is the most essential part of the Armani artistic style. and the outstanding representative of the art. II. Analyze the characteristics of the time of Amarna's art, from the content and in the form of expression, the high degree of the realistic and lively drawing of the painting brought the ancient Egyptian art to an unprecedented prosperity situation, which objectively made the time The third chapter discusses the social concept of Armani art, and the ancient Egyptian social concept of this period presents a new characteristic, which is mainly embodied in In the first section, the religious view of Amarna's art is discussed in section I. mainly from two angles The first is the view of the royal religion, which is embodied in the worship of the god of the god of the god and the abandonment of other gods. The authority of Pharaoh's pharaoh. The second is the nobleman's view of religion. The aristocracy of this period has a double-faced tendency, and some of the new ones followed Pharaoh's and the belief in the one-to-one religion; and the hereditary nobles were in order to maintain it. self-interest tends to Return to the tradition. The third is the folk belief. In this period, the folk still popular with the worship of the gods, which are reflected in The image of a great number of Beth-gods, on the other hand, on the official religion. In the second section, the aesthetic of the Armani era and the formation of the new art form will be discussed in section II. The ancient Egyptian society in the period of Amarna. The concept of aesthetic appreciation has also changed greatly. Different levels have different aesthetic and aesthetic values, and the time of Armani time is ancient. and the aesthetic appearance of the new trend. One, the official aesthetics turned from the religious ceremony to the realistic In the second place, the folk aesthetic response is relatively slow, and the inhabitants of the Armani city may be more sensitive to this, and the rest of the rest of the world The people generally continue to pursue the ritual. Chapter IV The article introduces the historical position of Amarna's art. The Armani art is not only a prominent place in the history of art, but also a symbol of the height and prosperity of the Egyptian art. It also has important historical research value. This chapter is divided into two parts, as follows:1. In this paper, the time significance of Amarna's art is introduced. In the aspect of politics, Amarna's art propaganda and the expansion of the influence of the Ech's annexation reform, and will The spirit of Eech's reform is transferred to the present. Religious aspects are reflected in the Armani works of art. All-round presentation and promotion of the concept of the one-to-one religion, and the time of Amarna's art. The meaning is also reflected in the diplomatic relations. To promote the status of... in the history of art. In the history of Egyptian art, Aah Mariner's art has played an important role in the past. It not only inherits the traditional rules of Egyptian art at all, but also breaks through the development and adds new elements. In that ancient Egyptian art. The paper summarizes the full text of the paper. The innovation of this paper is that the article has adopted from the history of art and the history of the society. The method of the analysis of Amarna's art is focused on the process of the generation of Agara, and the characteristics of Amarna's art are summarized, and the characteristics of Amarna's art are summarized. The social concept reflected by Amarna's art is discussed. A large number of data analysis has proved that people of different strata in the Amarna period were right Different views are held in the concept of the adduction and the aesthetic, and this is the case, mainly The idea of the pragmatism of the ancient Egyptians is supreme. For the ancient Egyptians, it is self-interest.
【学位授予单位】：吉林大学
【学位级别】：博士
【学位授予年份】：2011
【分类号】：K411
【引证文献】
相关期刊论文 前1条
1 吴帅;田明;;世界宗教改革的先驱者——国内埃赫那吞改革研究述评[J];内蒙古民族大学学报(社会科学版);2013年05期
，本文编号：2482198
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