“禅境”美学思想初探

发布时间：2018-01-22 14:19

本文关键词： 禅宗禅境美学文人画画禅　出处：《山西大学》2012年硕士论文　论文类型：学位论文

【摘要】：禅宗美学是一种直觉式、心悟式的体验美学,领悟越深,禅宗美学特质才越能被描述全然。蕴含着禅宗美学精神和禅境思想的这一种风格独特清淡雅致的文人画,将由于禅宗美学思想和文人画艺术由陈旧向先进的转化、由我国所固有的文化宝藏向整个世界的文化宝藏的转化,逐渐引起学界及文艺界的广泛关注,对其进行深入探讨就显得十分必要了。禅境观是禅宗思想当中十分重要的内容。本文在已有研究成果基础上,着眼于考察研究其禅境观当中的美学思想,试图对其美学思想的理论、方法、审美特质,以及禅宗美学思想对传统艺术尤其是文人画的影响进行综合的分析和研究。文中尝试将文人画和禅宗放在文化、历史的语境中进行观照,从文化、历史的语境中寻找文人画和禅宗的神与魂,最终对禅宗思想与文人画之间相融互渗之关系,以及文人画体现的禅宗美学精神、独特的审美特征,做进一步了解和阐述。文人画问题是宋元书画美学普遍关注的一个问题,风格特征就是“萧条淡泊”、“闲和严静”,这种特征与禅宗美学之无相、无往、无念有所相似之处,孔孟之学、老庄之学、佛学禅理把“文人”熏染的亦儒、亦道、亦佛。尽管从自然到文人画家的心灵再到艺术作品这样一个“内化”与“外化”的过程赋予了文人画的产生以可能,但还不能直接产生出文人画艺术。文人画艺术的产生还必须有足够的心理、精神方面的推动力。也就是说,只有一个时代的审美理想和美学精神在文人的绘画活动中升华为一种艺术冲动,文人画艺术才真正诞生,文人画艺术也就成为一个时代审美理想和美学精神的承担者。在推动文人画艺术产生、兴盛的审美理想和美学精神的形成过程中,禅宗扮演着重要角色。
[Abstract]:Zen Aesthetics is a kind of intuitionistic, idealistic experience aesthetics, the deeper the understanding is. Zen aesthetic characteristics can be described completely. Contains the Zen aesthetic spirit and Zen thinking of this unique style of elegant literati painting. The transformation of Zen aesthetic thought and literati painting art from old to advanced, from the cultural treasure inherent in our country to the cultural treasure of the whole world, has gradually aroused the widespread concern of the academic and literary circles. It is very necessary to explore it deeply. Zen conception is a very important part of Zen thought. Based on the existing research results, this paper focuses on the study of aesthetic thoughts in Zen conception. This paper tries to make a comprehensive analysis and research on the theory, method, aesthetic characteristics of his aesthetic thought and the influence of Zen aesthetic thought on traditional art, especially on literati painting. In this paper, the author tries to put literati painting and Zen sect in culture. In the context of history, from the context of culture and history to find the literati painting and Zen God and soul, the ultimate Zen thought and literati painting between the fusion of the relationship, as well as the literati painting reflected the spirit of Zen aesthetics. The problem of literati painting is a common concern of painting aesthetics in Song and Yuan dynasties, and its style is characterized by "depression and indifference", "leisure and Yan Jing". This kind of characteristic and the Zen esthetics has no phase, has no to go, has no thought to have the similarity place, the Confucius and Mencius studies, the Lao Zhuang's study, the Buddhism Zen principle will "the scholar" influence also Confucianism, also the Tao. Although the process of "internalization" and "externalization" from nature to the mind of literati painters and then to works of art, the process of "internalization" and "externalization" has made it possible for literati paintings to come into being. However, the literati painting art can not be produced directly. The generation of literati painting art must also have enough psychological, spiritual impetus. That is to say. Only when the aesthetic ideal and spirit of an era are sublimated into an artistic impulse in the activities of literati painting can the literati painting art be born. The art of literati painting has become the carrier of the aesthetic ideal and spirit of the times, and Zen plays an important role in the process of promoting the emergence and flourishing aesthetic ideal of literati painting art and aesthetic spirit.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：B948

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