丽江市博物院藏释迦与十六尊者画像之历史背景探析

发布时间：2018-02-09 22:13

本文关键词： 释迦与十六尊者像噶玛噶举派却英多吉　出处：《湖北民族学院学报(哲学社会科学版)》2017年05期 　论文类型：期刊论文

【摘要】：在云南省丽江市博物院收藏有一套释迦与十六尊者的宗教画,它是十七世纪由却英多吉在丽江为木氏家族成员木靖所做。却英多吉是藏传佛教噶玛噶举派第十世噶玛巴,也是藏传佛教艺术中噶智风格的开创者。这组作品有很高的艺术价值,由于出自宗教领袖之手,它具有更高的象征意义。本文以这组宗教画为切入点,分析了西藏政教斗争、噶玛噶举派与木氏土司之间供施关系的结成,是十七世纪末噶玛噶举派传教中心南移的历史背景,而噶玛噶举派传教中心的南移对云南藏传佛教分布格局及藏传佛教艺术都产生了深远的影响。
[Abstract]:At the Lijiang Museum in Yunnan Province, there is a set of religious paintings of Sakya and 16 Venerable people, which were made by Cho Ying Dodge in 17th century for Mujing, a member of the Muji family in Lijiang, who is the 10th Karmapa sect of Tibetan Buddhism. This group of works has high artistic value, because of the work of religious leaders, it has higher symbolic significance. This article uses this group of religious paintings as a breakthrough point to analyze the struggle between the state and religion in Tibet. The formation of the relationship between Karma Kagyu and Mushi Tusi was the historical background of the southward shift of the Karma Kagyu mission center at the end of 17th century. However, the southward shift of Karma Kagyu Missionary Center had a profound influence on the distribution pattern of Tibetan Buddhism and Tibetan Buddhist art in Yunnan.
【作者单位】：中央民族大学历史文化学院;
【基金】：国家社会科学基金项目“护法神废供问题对云南藏区的影响研究”阶段成果(项目编号:14BMZ035)
【分类号】：B949;K879.4

【相似文献】