傣族宗教祭祀仪式的美学分析

发布时间：2018-04-04 23:12

本文选题：傣族宗教祭祀仪式　切入点：审美意识　出处：《昆明理工大学》2016年硕士论文

【摘要】：传统宗教祭祀及其相关仪式,是区别民族人文价值与历史价值的重要尺度。祭祀仪式是众多宗教行为中尤为重要的“典型行为”,它不仅仅呈现出一种与之相对应的社会秩序与社会关系,还集中展现了一个时代人们的意识观念与思想感情。宗教祭祀仪式是经历悠久的历史传承与丰厚的文化积淀后的所形成的相应过程,浓厚的宗教文化氛围会对民族思维方式、价值观念、世界观、人生观、民族文化、民族心理、民族性格诸多方面产生极其深刻的影响。傣族宗教祭祀文化承载着傣族民众由古至今的相应文化观念与信仰,它们俨然成为傣族文化中不容忽视的重要组成部分。傣族宗教祭祀文化形成于特定的历史时代和独特的区域地理,它“不自觉”地渗透到傣族民族文化、生活、习俗等相应层面,以各种民族节日、民族风情等形式展现出来,构成民族颇具特色的文化意识符号和民族价值评判标志。可以这样概括,傣族宗教祭祀仪式一方面作为保存民族文化的“媒介”；另一方面,亦作为区别民族文化的特定“符号”,在这二元交互作用下,研究傣族文化理应关注傣族民众的宗教信仰层面。傣族宗教祭祀仪式保留着少数民族独特的文化内涵,蕴涵着鲜明的民族文化特征及审美意蕴,其祭祀意识的超越性、自由性等特征与其审美意识有着本质上的一致性,其中渗透着丰富且独特的少数民族审美文化。在对其民族文化蕴涵的审美意识内涵的挖掘中,明确其积累和传承下来的宇宙观、生命观、价值观,回归人与自然生态环境和谐共荣与平衡境界等内容。以期在观照傣族宗教祭祀仪式中各类概念范畴的同时,对傣族宗教祭祀文化形态中所体现的傣族文化中巫灵意识、族本意识、和合意识、崇生意识等审美意识范畴；所表现的自然美、崇高美、神秘美的审美形态；所寄托的和谐共生、美法自然的审美理想等诸多内容作出整体把握,并对傣族宗教祭祀仪式中衍生的美学内涵进行相应阐释。
[Abstract]:The traditional religious sacrifice and its related rituals are the important criterion to distinguish the national humanistic value from the historical value.Sacrificial ceremony is a "typical behavior" which is especially important in many religious acts. It not only presents a corresponding social order and social relations, but also shows the consciousness and feelings of people in a time.The ritual of religious sacrifice is a corresponding process formed after a long history of inheritance and rich cultural accumulation. A strong religious culture atmosphere will affect the way of national thinking, the value concept, the world outlook, the outlook on life, the national culture, the national psychology,Many aspects of national character have a profound impact.Dai religious sacrificial culture bears the corresponding cultural concepts and beliefs of Dai people from ancient times to the present, and they have become an important part of Dai culture that can not be ignored.The culture of Dai religious sacrifice was formed in a specific historical era and unique regional geography. It "unconsciously" penetrated into the corresponding levels of Dai culture, life, customs, and so on, and was displayed in various forms of national festivals, customs, etc.It constitutes a distinctive symbol of cultural consciousness and a symbol of national value evaluation.In a nutshell, on the one hand, Dai religious sacrificial rituals are regarded as "media" for the preservation of national culture; on the other hand, they also serve as special "symbols" to distinguish ethnic cultures. Under this dualistic interaction,The study of Dai culture should pay attention to the religious belief of Dai people.Dai religious sacrificial rites retain the unique cultural connotations of minority nationalities, and contain distinct national cultural characteristics and aesthetic connotations. The transcendence and freedomness of their sacrificial consciousness are essentially consistent with their aesthetic consciousness.Among them permeates the rich and unique minority nationality esthetic culture.In the excavation of the connotation of aesthetic consciousness contained in its national culture, it is clear that it accumulates and inherits the world outlook, the view of life, the values, the return to the harmonious and balanced realm between man and the natural ecological environment, and so on.At the same time, I hope to study the various concept categories in the ceremony of Dai religious sacrifice, and at the same time, to the aesthetic consciousness categories of Dai culture, such as witchcraft consciousness, clan consciousness, harmony consciousness, worship consciousness and so on, which are embodied in the culture form of Dai religious sacrifice.The aesthetic forms of natural beauty, sublime beauty, mysterious beauty, harmony symbiosis, aesthetic ideal of beauty and France, and so on, are comprehensively grasped, and the aesthetic connotations derived from the ceremony of sacrifice of Dai religion are explained accordingly.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：B933

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