日本的阿弥陀净土图与敦煌的净土变

发布时间：2018-04-14 18:25

本文选题：日本的阿弥陀净土 + 敦煌净土变　；参考：《敦煌研究》2013年03期

【摘要】：本文以呈现不同地域与时代的阿弥陀净土造型表现差异为目的,希望通过日本古代的作品和敦煌莫高窟壁画的不同说明两国阿弥陀净土的造型差异及其背后不同的净土观。日本的净土信仰将"欣求净土,厌离秽土"看作一种并不遥远的理想,持续地追求着。日本的净土图也正是这一追求的体现:净土就在身边。而敦煌以及中国的净土变却不表现阿弥陀如来、阿弥陀极乐净土与现世的自己及往生者的关系,现世的生命与死后的世界之间的关系是非常冷淡的。这一点可以说正是日本的阿弥陀净土绘画与敦煌的净土变最大的不同之处,是彼此不同净土观的反应。
[Abstract]:The purpose of this paper is to present the differences in the form of Amitabha Pure Land in different regions and times, and hope to explain the differences in the form of Amitabha Pure Land between the two countries and the different views on the Pure Land behind it through the different works of ancient Japan and the murals of Dunhuang Mogao Grottoes.The Japanese Pure Land belief regards "seeking Pure Land and being tired of the unclean Land" as an ideal which is not far away, and continues to pursue it.Japan's Pure Land is the embodiment of this pursuit: the Pure Land is around.But the change of Dunhuang and China's Pure Land does not show Amitabha's coming. The relationship between Amitabha's Pure Land and the earthly self and the deceased, the relationship between the earthly life and the world after death is very cold.This can be said to be the greatest difference between the Japanese painting of the Pure Land and the Pure Land of Dunhuang, and the reaction of different views of the Pure Land.
【作者单位】：神户大学大学院人文学研究科;
【分类号】：B948

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