南北朝佛教唱导的底本

发布时间：2018-08-01 18:21

【摘要】：本文通过对南北朝佛教唱导之底本、资料来源、文化背景等情况的考察,重新审视了中古佛教讲唱与文学创作之间的关系。认为:一、南北朝时代的唱导师可分为两类:一类是唱导前有备用唱导底本者,他们或遵用别人写就之底本,或于唱导前自己编纂底本。一类是唱导前无唱导底本者,他们属于声、辩、才、博四能兼通者。虽然他们事先不备底本,但是他们唱导时即兴发挥的文学语言被当时的听讲者传抄并形成另一底本,即所谓纪录本。二、唱导文本所采用的资料来源多途,或取自中土经史,或抄自因缘、譬喻经及佛教类书,或录于历代碑文。三、唱导文的生存环境既受到印度因缘譬喻文学的影响,也受到中土于齐梁之世盛行的抄经之风以及作家碑赋文学的影响。
[Abstract]:Based on the investigation of the origin, sources and cultural background of Buddhism in the Southern and Northern dynasties, this paper re-examines the relationship between Buddhist teaching and literary creation in the Middle Ages. First, there are two types of teachers in the Southern and Northern dynasties: one is that there are backup guides before the lead, they either follow the original written by others, or they compile the original before the lead. One is that there is no guide before the lead, they belong to the sound, debate, talent, Bo four can both pass. Although they did not prepare the original in advance, the impromptu literary language which they sang and directed was copied by the listeners at that time and formed another copy, the so-called record book. Second, there are many sources of information used in the singing and leading texts, either from the history of the Middle Earth Sutra, or from the cause, such as the metaphorical sutras and Buddhist books, or recorded in the inscriptions of the past dynasties. Thirdly, the living environment of singing and guiding prose is influenced not only by the figurative literature of Indian karma, but also by the prevailing style of copying the classics in the period of Qi and Liang dynasties and the literature of the writer's tablet and Fu.
【作者单位】：四川大学中国俗文化研究所;
【基金】：教育部人文社会科学重点研究基地重大项目“佛教讲唱与中古文学”(2009JJD750012)阶段性成果
【分类号】：B948

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