从民间信仰仪式到视觉化民俗仪式艺术——一个认识论转型的比较研究
发布时间：2018-08-04 21:52
【摘要】：现代社会中,一部分民间传统信仰仪式逐渐转型为视觉化民俗仪式艺术。这个动态过程是认知范式转型的一种体现。在前现代社会,人们对仪式的理解主要建立在平行空间认知论的基础上,这种以空间作为认知基础的思维方式进一步决定了前现代社会中民间信仰仪式实践中的视觉"遮蔽"特征。当下社会中的部分民间信仰仪式去魅转型为视觉化民俗艺术,体现了认知论中"空间"型向"时间"型的现代性嬗变,这种转型的另一个表征则是视觉化的民俗仪式艺术向理性敞开的现代美学特征。
[Abstract]:In modern society, part of the traditional folk belief ceremony gradually transformed into the visual folk ritual art. This dynamic process is a reflection of cognitive paradigm transformation. In the pre-modern society, people's understanding of rituals is mainly based on the cognitive theory of parallel space. This way of thinking, which takes space as the cognitive basis, further determines the visual "masking" characteristic in the practice of folk belief ritual in the pre-modern society. The disenchantment of some folk beliefs in the present society is transformed into the visual folk art, which embodies the modern evolution from "space" to "time" in cognitive theory. Another sign of this transition is the modern aesthetic characteristic of the visual folklore ritual art open to rationality.
【作者单位】： 南京大学艺术研究院;
【基金】：教育部人文社会科学项目“非物质文化中的灾难叙事研究”(11YJC850021) 教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”(12JZD019)的阶段性成果
【分类号】：B933
[Abstract]:In modern society, part of the traditional folk belief ceremony gradually transformed into the visual folk ritual art. This dynamic process is a reflection of cognitive paradigm transformation. In the pre-modern society, people's understanding of rituals is mainly based on the cognitive theory of parallel space. This way of thinking, which takes space as the cognitive basis, further determines the visual "masking" characteristic in the practice of folk belief ritual in the pre-modern society. The disenchantment of some folk beliefs in the present society is transformed into the visual folk art, which embodies the modern evolution from "space" to "time" in cognitive theory. Another sign of this transition is the modern aesthetic characteristic of the visual folklore ritual art open to rationality.
【作者单位】： 南京大学艺术研究院;
【基金】：教育部人文社会科学项目“非物质文化中的灾难叙事研究”(11YJC850021) 教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”(12JZD019)的阶段性成果
【分类号】：B933
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