萨迦派“多吉普尔羌姆”仪式程式及象征解读——以若尔盖求吉寺为例
发布时间：2019-06-18 19:52
【摘要】："多吉普尔羌姆"(■)是藏传佛教萨迦派法舞文化的典型代表,源于萨迦寺,又称"金刚橛法舞"。如今只有在萨迦寺、德格更庆寺(■)和若尔盖求吉寺(■)有传承。若尔盖求吉寺的"多吉普尔羌姆"在原萨迦寺羌姆原型的基础上,融入本土文化,形成了风格独特的法舞仪式,在安多藏区有较大的影响。2006年求吉寺"多吉普尔羌姆"被列入了四川省非物质文化遗产名录,该法舞仪式随之也得到了重视和保护。文章以若尔盖求吉寺为中心,将"多吉普尔羌姆"作为研究对象,以宗教学的视角,从仪式本体及内涵入手,重点解析仪式中的各类象征,揭示法舞所蕴含的文化内涵和象征意义。
[Abstract]:Doggil Qiang () is a typical representative of Tibetan Buddhism Saga school French dance culture, originated from Saga Temple, also known as "King Kong pegs Dharma Dance." Now only in Saga Temple, Deg Gengqing Temple () and Ruoerge Suji Temple () have inheritance. On the basis of the original Qiang prototype of Zaga Temple, the Doggil Qiang Temple of Ruoerge Temple has been integrated into the local culture and formed a unique style of French dance ceremony, which has a great influence in Ando Tibetan area. In 2006, "Doggil Qiang" of Xuji Temple was listed in the intangible cultural heritage list of Sichuan Province, and the Doggil Qiang ceremony was also attached importance to and protected. Taking Ruoerge Xuji Temple as the center, taking Doggil Qiang as the research object, from the perspective of religion, starting with the ritual Noumenon and its connotation, this paper focuses on analyzing all kinds of symbols in the ceremony, and reveals the cultural connotation and symbolic significance contained in the French dance.
【作者单位】： 西南民族大学藏学学院;
【分类号】：B946.6
本文编号：2501744
[Abstract]:Doggil Qiang () is a typical representative of Tibetan Buddhism Saga school French dance culture, originated from Saga Temple, also known as "King Kong pegs Dharma Dance." Now only in Saga Temple, Deg Gengqing Temple () and Ruoerge Suji Temple () have inheritance. On the basis of the original Qiang prototype of Zaga Temple, the Doggil Qiang Temple of Ruoerge Temple has been integrated into the local culture and formed a unique style of French dance ceremony, which has a great influence in Ando Tibetan area. In 2006, "Doggil Qiang" of Xuji Temple was listed in the intangible cultural heritage list of Sichuan Province, and the Doggil Qiang ceremony was also attached importance to and protected. Taking Ruoerge Xuji Temple as the center, taking Doggil Qiang as the research object, from the perspective of religion, starting with the ritual Noumenon and its connotation, this paper focuses on analyzing all kinds of symbols in the ceremony, and reveals the cultural connotation and symbolic significance contained in the French dance.
【作者单位】： 西南民族大学藏学学院;
【分类号】：B946.6
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