清末民初新兴百美图研究
发布时间:2018-01-11 14:39
本文关键词:清末民初新兴百美图研究 出处:《南京艺术学院》2016年博士论文 论文类型:学位论文
【摘要】:清末民初的新兴百美图以都市时装美人为主体、洋场景观为背景,描绘了从传统向现代转型过程中女性形象的变化,为新女性的建构提供了重要的视觉资源。作为诞生于近代都会的流行图式,新兴百美图迎合了两种话语的需求:一种是精英知识分子的国族论述,一种是通俗文学的日常生活叙事。这两种话语都旨在将女性塑造成符合各自理想的新女性,区别在于前者立足启蒙,后者立足娱乐。藉由图像和话语之间的缝隙,我们可以一窥当时的社会风尚和审美趣味。本文将百美图作为一个独立的系统进行考察,发现它具有看似相反的二元传统——列女传统和百媚传统,在此基础上建构百美图的系谱并探究其衍变原因及规律。在新的技术和媒介环境下,日本和欧美国家提供的女性镜像,不仅影响了时人对女性的审美和价值判断,也使女性的生活世界发生了显著变化。这些因素在观念和形式上催生出新兴百美图以女性作为叙事中心的叙事特征。新兴百美图在外来文化的影响下借鉴本土资源,通过沿用、转化传统母题和直接新创母题的方法,创造出异常丰富的女性形象,满足了新兴市民阶层趋时务新和写实的欲望,遂成为一种流行的视觉样式。新兴百美图中女性的新角色反映了时人对现代性的想象,透过这些形象,我们看到的是画家和文人通过重新定义女性之“美”来塑造新女性的企图。
[Abstract]:At the end of the Qing Dynasty and the beginning of the Republic of China, the emerging beauty map, with the beauty of urban fashion as the main body and the landscape of the foreign field as the background, depicts the changes in the image of women in the process of transition from tradition to modernity. It provides an important visual resource for the construction of new women. As a popular schema born in modern metropolis, Xinxing hundred Meitu caters to the needs of two kinds of discourse: one is the national discourse of elite intellectuals. One is the daily life narration of popular literature. Both of these two kinds of discourse are aimed at portraying women as new women in line with their respective ideals, the difference being that the former is based on enlightenment. The latter is based on entertainment. By the gap between images and discourse, we can get a glimpse of the social fashion and aesthetic taste of the time. It is found that it has a seemingly opposite dualistic tradition-column women tradition and Baimei tradition. On this basis, it constructs the pedigree of the hundred Meitu and explores the causes and rules of its evolution. In the new technology and media environment. The mirror image of women provided by Japan and Europe and America not only affects the aesthetic and value judgment of women. These factors gave birth to the narrative characteristics of Xinxing hundred Meitu with women as the center of narration. Under the influence of foreign culture, Xinxing hundred Meitu draws lessons from local capital. Source. By using, transforming the traditional motif and directly creating the motif, we can create a very rich female image and satisfy the new and realistic desire of the new citizen stratum. Therefore, it has become a popular visual style. The new role of women in the new beauty picture reflects the imagination of modernity of the time, through these images. What we see is an attempt by painters and literati to redefine the beauty of women to shape new women.
【学位授予单位】:南京艺术学院
【学位级别】:博士
【学位授予年份】:2016
【分类号】:J205
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本文编号:1409977
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