革命与艺术之间—民国艺术家韩乐然研究

发布时间：2018-01-17 22:07

  本文关键词：革命与艺术之间—民国艺术家韩乐然研究　出处：《哈尔滨师范大学》2016年博士论文　论文类型：学位论文

  更多相关文章： 韩乐然 革命 左翼美术 超现实绘画

【摘要】：韩乐然,民国时期的革命家、政治活动家、画家、考古艺术家。一生经历了政治与文化两个领域的活动,在两个领域中皆具历史价值。活动范围涉及政治活动、文化社团、报刊传媒、艺术教育、艺术考古等多个门类的经历,在艺术家之中极具特殊性。复杂动荡的社会环境中,韩乐然辗转中国十几个省份和欧洲十个国家从事无产阶级革命,限定与促成了韩乐然身兼多职且热衷于艺术创作与文化活动的经历。革命视域中的艺术活动,不仅与革命活动相辅相成,也凝结了浓重的社会责任感与政治倾向。从“青年画会”的建立到“奉天美术专科学校”再到“克孜尔艺术考古”,其艺术活动逐步加深社会性与政治性的关联,艺术活动起到了多重社会性的功能。宏观社会革命的理想与目标主导下,韩乐然的艺术创作致力于反叛动荡的社会现实,超越社会与时代乃至学术的限制;在内容上具有鲜明的针对性,反映社会底层劳动人民的需求与审美,在意识上传递积极向上的战斗精神。以此形成独立于他所在的“表现主义”、欧洲“现代主义”与抗战美术“革命现实主义”文艺思潮的艺术风格,艺术追求超越学术局限表现社会理想,探索“大众美术”与现代绘画结合的实践方式,表现出融合性的民俗美术风格特征。本文结合历史背景,运用社会学、文献学、分类学与图形学结合的方法,经研究得出观点:1.韩乐然是最早确立无产阶级文艺观并进行“大众美术实践”的艺术家;2.艺术活动同时作为传播共产主义思想的途径,使他成为最早的“左翼美术家”,建立了第一个“左翼美术社团”,建立东北最早的私立美术学校同时也是沈阳最早的共产党组织的根据地。3.韩乐然的艺术创作在形式与内容上受到革命活动与艺术观念的限制,其研究价值并非在艺术创新与学术层面的代表性,而是作为艺术家兼有革命贡献与历史价值以及特殊艺术家的典型意义。本研究认为探究个案的特殊经历涉及多个门类艺术活动及其具有多领域的开创性意义是本课题研究的价值所在。
[Abstract]:Han Leran, the period of the Republic of China revolutionary political activist, painter, artist. Archaeology had experienced two areas of political and cultural activities, have historical value in two areas. The scope of activities involved in political activities, cultural organizations, media, art education, art archaeology and other categories of experience, special of artists. In very complex social environment of turmoil, South Korea Chinese 10 provinces and obligingly from ten European countries engaged in the proletarian revolution, and Han Leran all contributed to the limited experience and keen on art creation and cultural activities. The revolution in the view of artistic activities, not only with the revolutionary activities complement each other, and also bind the strong the sense of social responsibility and political orientation. From "youth painting" to establish "Fengtian School of fine arts" and "the art archaeology", its artistic activities gradually deepen service Be associated with political and artistic activities to multiple social functions. The ideal and goal oriented macro social revolution, the Korean art dedicated to the rebel obligingly turbulent social reality, beyond the limit time and even the social and academic; in targeted content bright, reflect the social bottom working people's needs and aesthetic, positive transfer in the sense of fighting spirit. In order to form independent of his "Expressionism", European modernism and the art in the "revolutionary realism" literary thought artistic style, artistic pursuit beyond the academic performance limitations of social ideal, to explore the combination of public art and modern painting the practice shows, folk art style features fusion. This paper combined with the historical background, the use of sociology, literature, combined with the method of the research of taxonomy and graphics. It comes to the view that the 1. Han Leran was the first to establish the proletarian view of literature and "popular art practice" artist; 2. art activities at the same time as a way to spread the Communist ideology, made him one of the earliest "left-wing artists", established the first "left-wing Art Society", the establishment of the Northeast's first private art school Shenyang is also the earliest Communist Organization according to.3. Han Leran's artistic creation by the revolutionary activities and art concept limits in the form and content, its research value is not in the table of artistic innovation and academic level, but as a typical artist with revolutionary contribution and historical value and special artist. This study suggests that create a special experience exploring case involving multiple categories of art activities and with multiple areas of significance is the value of the research.

【学位授予单位】：哈尔滨师范大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J203
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本文编号：1438163