宋代笔记研究

发布时间：2018-05-14 11:05

本文选题：宋代笔记 + 私密性　；参考：《复旦大学》2014年博士论文

【摘要】：宋代是中国笔记发展的鼎盛时期,其内容的广泛和结构的完善,都标志着笔记这一文体的完全成熟。但是迄今为止,对于宋代笔记的研究还集中在对笔记的点校和整理方面,而对笔记本身的探讨,似乎还相当不够——宋代笔记断代史研究著作屈指可数；笔记通史研究虽然提纲挈领,但其中的宋代部分内容薄弱,无助于我们对宋代笔记自身的发展演变过程作更如深入的了解。因此本文试图拓宽我们的研究视野和思路,为推进宋代笔记研究的发展,做出一些初步尝试。全文分为五章,各章的研究重点,大致如下：第一章对笔记的概念及笔记的范围进行辨析。目前,关于笔记的定义及范围问题,言人人殊,未有定论。本章首先综合学界关于笔记的各种现有观点,尝试作出自己对笔记的看法。第二章处理宋代笔记的分类问题。首先考察了《四库全书总目》对宋代笔记的划分情况及分类特点。其次,笔者将介绍学界现有关于宋代笔记的各种观点。最后,尝试作出笔者个人对宋代笔记的分类。第三章考察宋代笔记本身的发展和流变过程。大致概括如下：北宋前期盛行有关唐、五代十国的政事笔记和逸闻笔记；北宋中叶盛行党争笔记,同时出现文艺类与私密性笔记；南渡前后时期多为反映爱国忧患与反思历史的笔记,以及关于金国的出使笔记；中兴时期以中兴思想为中心的史料笔记、出使笔记和游记体笔记比较盛行；南宋末期的文人开始撰写有关南宋都市文化的笔记。第四章研究宋代笔记的特征中“私密性”倾向。迄今为止,学界业已肯定宋代文人把视线由历史或朝廷之类的宏大题材移向自己或其周围之类的微小题材,认识到笔记的“私人”和“通俗”特征,但对其特征的概括总结和对其特征意义及对具体作品的研究却是一片空白。文人记录下自己生活上的细节,这并非是一个简单的问题,而是意味着文人开始认识到私人的生活空间,作者不再在文章的背后存在,而是积极地使自己出场于文章的前台。从这个角度出发,本章将探讨文人如何把自己作为叙述的对象,探究如何发生以及如何发展的线索。第五章研究宋代笔记的价值与影响。宋代笔记有承前启后的作用,与前代笔记相比,宋代笔记在作者的人数和范围、笔记著作的数量、笔记中涉及的内容方面都大大增加。本文将从史学、文学、学术的角度来考察宋代笔记的意义和价值。其次,关注宋代笔记的私密性要素对后代文学的影响。最后,本文还将考察传入韩国的宋代笔记的版本状况,以及韩国古代稗说创作及其与中国笔记文学之间的关系。
[Abstract]:The Song Dynasty was the heyday of the development of Chinese notes. The extensive content and perfect structure of the notes symbolized the maturity of the style of notes. But up to now, the research on the notes of Song Dynasty is still focused on the point, correction and arrangement of notes, but the discussion of notebook body seems to be quite insufficient-there are only a few works on the history of notes in Song Dynasty. Although the research on the general history of notes is very brief, some of the contents of the Song Dynasty are weak, which is not helpful for us to have a deeper understanding of the development and evolution of the notes in the Song Dynasty. Therefore, this paper tries to broaden our research horizon and train of thought, and makes some preliminary attempts to promote the development of the research on notes in Song Dynasty. The full text is divided into five chapters, the main points of each chapter are as follows: the first chapter discriminates the concept and scope of notes. At present, there is no conclusion on the definition and scope of notes. This chapter first synthesizes the academic circles' various existing viewpoints on notes, and attempts to make their own views on notes. The second chapter deals with the classification of notes in Song Dynasty. First of all, it examines the classification and classification of the notes in the Song Dynasty. Second, the author will introduce the academic community on the Song Dynasty notes various views. Finally, I try to make a personal classification of the Song Dynasty notes. The third chapter examines the development and evolution process of notebook body in Song Dynasty. Generally summarized as follows: in the early Northern Song Dynasty, the political notes and anecdotal notes of the Tang Dynasty and the five dynasties and Ten Kingdoms were popular, while in the middle of the Northern Song Dynasty, the party contending notes were prevailing, and at the same time, the notes of literature and art and privacy appeared. Before and after the Nandu period, most of the notes reflect patriotic worries and reflect on the history, as well as the notes of the emissary of the State of Jin, the notes of historical materials centered on the thought of ZTE in the period of ZTE, the notes of the envoy and the travel notes are popular. Literati in the late Southern Song Dynasty began to write notes about the urban culture of the Southern Song Dynasty. Chapter four studies the tendency of privacy in the characteristics of notes in Song Dynasty. Up to now, scholars have affirmed that the scholars of the Song Dynasty have shifted their attention from such grand themes as history or court to small subjects such as themselves or around them, recognizing the "private" and "popular" characteristics of notes. However, the summary of its characteristics, the significance of its features and the study of concrete works are blank. It is not a simple problem for the literati to record the details of their life, but it means that the literati begin to realize the private living space, the author no longer exists in the background of the article, but actively makes himself appear in the foreground of the article. From this point of view, this chapter will explore how literati regard themselves as the object of narration, and explore the clues of how to happen and how to develop. Chapter five studies the value and influence of notes in Song Dynasty. Compared with the previous notes, the number and scope of the authors, the number of notebooks and the contents involved in the notes are greatly increased in the Song Dynasty. This paper examines the significance and value of Song Dynasty notes from the perspectives of historiography, literature and scholarship. Secondly, it pays close attention to the influence of the privacy elements of the notes in Song Dynasty on the literature of future generations. Finally, this paper will examine the version of the Song Dynasty notes introduced to Korea, as well as the relationship between the ancient Korean literary works and the Chinese note-taking literature.
【学位授予单位】：复旦大学
【学位级别】：博士
【学位授予年份】：2014
【分类号】：I206.2

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