清乾嘉时期的《说文》学与篆书创作

发布时间：2018-06-28 12:03

  本文选题：乾嘉时期 + 《说文》　； 参考：《南京艺术学院》2016年博士论文

【摘要】：在与乾嘉时期篆书发展密切相关的事项中,依照传统之观念,《说文》学是绝不可被忽视的,但迄今为止,尚未见有直奔这一主题的学术作品。实际上如果仔细审视这个时期的篆书,也可以发现,其创作变迁之几乎所有重要环节,还是与《说文》学密切相关。因此,考察乾嘉时期篆书创作之升降,《说文》学无疑是一个比较适宜的切入点。本论文的研究主旨在以《说文》学为视角与重要依据,采取纪事本末体与以事系人的写作手法,对乾嘉时期篆书创作的各个方面问题作深入的考察论证,在一定程度上展现一个相对近真的乾嘉篆书创作之景象,并探讨其创作之得失,揭示其创作方法之理论价值与现实意义。以下简要叙述本论文讨论的各方面内容:“绪论”部分。首先说明本文的写作缘起和相关术语;其次陈述本文的材料格局及研究方法;再次阐明研究之目的与总体构想。第一章是“清初的《说文》研究与篆书创作”。分别论证顾炎武对《说文》的先导性研究;《说文》毛氏汲古阁本的刊行与风格问题;王澍篆书创作的相关问题。第二章是“乾嘉时期的《说文》学对篆书创作之影响”。分别论证戴震研究《说文》的影响及对篆书创作之启示;段玉裁、桂馥的研究与创作问题;《说文》的校刊、《说文》检字法研究等方面影响篆书创作的相关问题;篆书创作论对《说文》学的回应问题。第三章是“乾嘉时期《说文》学者的篆书创作”。着重对孙星衍、洪亮吉、钱坫在学术思想、研究理路、创作方法、创作风格上的异同作深入论证,且对学者们在篆书创作上的若干共性问题作辩证分析。第四章是“邓石如的《说文》研究与篆书创作之得失”。对邓石如的博涉群碑、手写《说文》、“隶笔作篆”、篆法“不合六书”、创作之遭遇等问题作深入论证。第五章是“以《说文》为本的他类篆书创作”。对杨法的奇篆、朱为弼的商周铜器铭文篆书之所形成的渊源、背景、特点等问题进行逐一分析。“结论”部分。既总括叙述本文的主要论证,也对相关问题及研究方法,提出一些个人的看法。此外,本论文附录“《唐写本说文解字》与《说文》宋刻元修本、汲古阁本篆文字形对照表”、“二李石刻与《说文》篆文字形对照表”,以供篆书创作资鉴。
[Abstract]:In the matters closely related to the development of seal script in Qianjia period, according to the traditional concept, the study of "Shuo Wen" can never be ignored, but up to now, no academic works have been written directly to this subject. In fact, if we carefully examine the seal script of this period, we can also find that almost all the important links of its creation changes are closely related to the study of "Shuo Wen". Therefore, to investigate the rise and fall of seal script creation in Qianjia period, Shuo Wen is undoubtedly a more suitable entry point. The main purpose of this thesis is to take Shuo Wen as the angle of view and important basis, to take the writing technique of chronicle-book and related person, and to make a thorough investigation and demonstration on all aspects of the creation of seal script in Qianjia period. To a certain extent, it shows the scene of the creation of a relatively real seal script of Qianjia, probes into the gains and losses of its creation, and reveals the theoretical value and practical significance of its creative methods. The following is a brief description of the contents of this paper: introduction. First, it explains the origin of the writing and related terminology; secondly, it describes the material pattern and research methods; and then clarifies the purpose and overall concept of the research. The first chapter is the study of Shuo Wen and the creation of seal script in the early Qing Dynasty. The paper respectively demonstrates Gu Yanwu's leading research on Shuowen; the publication and style of Mao's ancient cabinet book; and the related problems of Wang Shu's seal script. The second chapter is the influence of Shuo Wen on the creation of seal script in Qianjia period. The paper respectively demonstrates the influence of Dai Zhen's research on Shuo Wen and its inspiration to the creation of seal script; Duan Yu-Cai, Gui Fu's research and creation problems; The response of the creation of Seal script to the study of Shuo Wen. The third chapter is the creation of seal script by scholars in Qianjia period. In this paper, Sun Xingyan, Hong Liangji and Qian goblet are discussed in their academic thoughts, research on the principles, methods and styles of creation, and dialectical analysis is made on some common problems in the creation of seal script by scholars. The fourth chapter is "Deng Shiru's" Shuo Wen "research and seal script creation gain and loss." In this paper, Deng Shiru's inscription, handwriting, seal character, writing experience and so on are discussed in depth. The fifth chapter is the creation of other seal script based on Shuo Wen. This paper analyzes the origin, background and characteristics of Yang Fa's Qichuan script and Zhu Weibi's Shang Zhou bronze inscription seal script one by one. "conclusions". Not only the main argumentation of this paper, but also the related problems and research methods, some personal views are put forward. In addition, the appendix of this paper is "the explanation of the characters of the Tang Dynasty and the Song Dynasty" and the comparison table of the seal characters of the ancient cabinet and the two Li Shi and the "Shuo Wen > Zhuan characters", so as to provide a reference for the creation of the seal script.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J292.1
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本文编号：2077930