内蒙古中南部地区汉代炊煮器研究
发布时间：2018-10-17 09:20
【摘要】：汉代的造物文化在中国及世界造物文化史中占有重要地位,论文以内蒙古中南部汉代炊煮器为研究目标与对象,旨在研究北方草原文化背景下的汉代造物特征。侧重边疆文化的造物文化特征研究,尤其是汉代活跃于内蒙古中南部地区的匈奴文明对世界文明的重构意义,以及北方民族文化与其周边地区汉文化的互动。中原文化注入北方地区的同时,北方游牧文化也是推动中原文化前进的动力。指出从设计学、造物学科和图像学、考古学等视角对于炊煮器的设计属性、社会历史之中的发展脉络和本体设计等方面展开研究。以汉代炊煮器的设计为主体,并对其类型和形成过程进行梳理,其清晰的发展脉络是造物研究的基础。在此区间内,关于炊煮器的考古发掘以及其他有关实物遗存成为研究的主要组成部分,运用历史全景研究法、设计学分型研究法和社会系统研究法以构成完整的设计研究。围绕内蒙古中南部地区汉代炊煮器所关联的综合社会风貌展开研究,包括“经济文化生态”、“技术场域”、农耕与游牧文化下的造物“汇异质性”和汉代礼祀制度等,综合的社会背景成为内蒙古中南部地区造物特征的前提和决定因素,时代的宏观图景是研究的基础和起点。通过对汉代社会的廓清,有助于造物思想的提炼,是由物到史、由史到境、由境到物的造物循环。由物到史即经济文化决定的“观物”方式,及技术生产承载的造物手段。由史到境便是图像世界中的“用物”反观。而由境到物则是回归历史原境的“评物”体系,并上升为适应于汉代炊煮器的造物观念,以炊煮器为核心,由此牵涉出的有关社会文化、礼俗精神空间不可忽视。从历史遗存的视角看待炊煮器的使用,借助图像和文献记载,对于器物的使用方式和以礼祀的视角看待炊煮器的设计,从图像证史的角度进行解析并对物进行界定。如该地区的汉代墓葬壁画和汉代画像石、画像砖等,记录着汉代日常生活和器物形态,帮助勾勒出完整的炊煮器等相关日用器的所处环境和相关信息。炊煮器的设计学研究视角则包括材质、工艺、技术和使用几个方面,以典型案例为中心,观察炊煮器物的基本属性,并且通过基本测量对于人与器物的关系予以探索。从饮食器具、炊煮器造物发展切入,梳理出清晰的炊煮器造物文化发展史。目的在于揭示古代器物所隐含的行为及习俗,造物行为与用物活动,从行为性、事件性到器用主体性,由造物到器物,由设计学视角关联起来,达到了关于物的理论思考及创新。
[Abstract]:The creation culture of Han Dynasty plays an important role in the history of Chinese and world creation culture. This paper takes the Han cooking pot in the central and southern part of Inner Mongolia as the research target and object in order to study the characteristics of the Han Dynasty creation under the background of the northern grassland culture. This paper focuses on the study of the cultural characteristics of the creation of frontier culture, especially the significance of the Hun civilization active in the central and southern part of Inner Mongolia to the reconstruction of the world civilization in the Han Dynasty, and the interaction between the northern national culture and the Han culture in the surrounding areas. At the same time, the northern nomadic culture is the driving force to push forward the Central Plains culture. It is pointed out that from the perspectives of design, creation, graphics and archaeology, the design properties of cooking utensils, the development of social history and the design of ontology are studied. Taking the design of cooker as the main body, and combing its type and forming process, its clear development context is the foundation of the research of creation. In this section, the archaeological excavations of cooking utensils and other related objects become the main part of the research. Using the historical panoramic research method, the design classification research method and the social system research method to form the complete design research. The research focuses on the comprehensive social features related to the cooking utensils in the Han Dynasty in the central and southern part of Inner Mongolia, including "economic and cultural ecology", "technical field", "heterogeneity" of creation under farming and nomadic culture, and the ritual worship system of the Han Dynasty, etc. The comprehensive social background is the premise and decisive factor of the creation characteristics in the central and southern part of Inner Mongolia, and the macroscopic view of the times is the basis and starting point of the study. By clarifying the society of Han Dynasty, it is helpful to refine the thought of creation, which is the circle of creation from the material to the history, from the history to the boundary and from the boundary to the object. From the material to the history is the economic and cultural determination of the "view" way, and technological production carrying the means of creation. From the history to the environment is the image world of the "use of objects" reflection. However, from environment to object is a system of "evaluating objects" which returns to the original historical state, and rises to the concept of creation adapted to the cooking utensils of the Han Dynasty, taking cooking utensils as the core. The social culture involved therefrom, the spiritual space of etiquette and custom can not be ignored. The use of cooking utensils is viewed from the perspective of historical relics. With the help of images and documentary records, the design of cooking utensils from the perspective of ritual worship is analyzed and defined from the point of view of image proof history. For example, the murals of Han Dynasty tombs and the stone and bricks of Han Dynasty record the daily life and the shape of objects in Han Dynasty, and help to outline the environment and relevant information of relevant daily utensils such as cooking utensils and so on. The design perspective of cooker includes material, technology, technology and use. Taking typical cases as the center, the basic properties of cooking utensils are observed, and the relationship between human beings and utensils is explored through basic measurement. From the food utensils, cooking utensils creation development cut into, carding out a clear history of cooking utensils creation culture. The purpose is to reveal the behaviors and customs implied by ancient artifacts, the behavior of creation and the activities of using objects, from the behavioral, eventful to instrumental subjectivity, from creation to objects, and from the perspective of design. To achieve the theoretical thinking and innovation about things.
【学位授予单位】：江南大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J505
，
本文编号：2276211
[Abstract]:The creation culture of Han Dynasty plays an important role in the history of Chinese and world creation culture. This paper takes the Han cooking pot in the central and southern part of Inner Mongolia as the research target and object in order to study the characteristics of the Han Dynasty creation under the background of the northern grassland culture. This paper focuses on the study of the cultural characteristics of the creation of frontier culture, especially the significance of the Hun civilization active in the central and southern part of Inner Mongolia to the reconstruction of the world civilization in the Han Dynasty, and the interaction between the northern national culture and the Han culture in the surrounding areas. At the same time, the northern nomadic culture is the driving force to push forward the Central Plains culture. It is pointed out that from the perspectives of design, creation, graphics and archaeology, the design properties of cooking utensils, the development of social history and the design of ontology are studied. Taking the design of cooker as the main body, and combing its type and forming process, its clear development context is the foundation of the research of creation. In this section, the archaeological excavations of cooking utensils and other related objects become the main part of the research. Using the historical panoramic research method, the design classification research method and the social system research method to form the complete design research. The research focuses on the comprehensive social features related to the cooking utensils in the Han Dynasty in the central and southern part of Inner Mongolia, including "economic and cultural ecology", "technical field", "heterogeneity" of creation under farming and nomadic culture, and the ritual worship system of the Han Dynasty, etc. The comprehensive social background is the premise and decisive factor of the creation characteristics in the central and southern part of Inner Mongolia, and the macroscopic view of the times is the basis and starting point of the study. By clarifying the society of Han Dynasty, it is helpful to refine the thought of creation, which is the circle of creation from the material to the history, from the history to the boundary and from the boundary to the object. From the material to the history is the economic and cultural determination of the "view" way, and technological production carrying the means of creation. From the history to the environment is the image world of the "use of objects" reflection. However, from environment to object is a system of "evaluating objects" which returns to the original historical state, and rises to the concept of creation adapted to the cooking utensils of the Han Dynasty, taking cooking utensils as the core. The social culture involved therefrom, the spiritual space of etiquette and custom can not be ignored. The use of cooking utensils is viewed from the perspective of historical relics. With the help of images and documentary records, the design of cooking utensils from the perspective of ritual worship is analyzed and defined from the point of view of image proof history. For example, the murals of Han Dynasty tombs and the stone and bricks of Han Dynasty record the daily life and the shape of objects in Han Dynasty, and help to outline the environment and relevant information of relevant daily utensils such as cooking utensils and so on. The design perspective of cooker includes material, technology, technology and use. Taking typical cases as the center, the basic properties of cooking utensils are observed, and the relationship between human beings and utensils is explored through basic measurement. From the food utensils, cooking utensils creation development cut into, carding out a clear history of cooking utensils creation culture. The purpose is to reveal the behaviors and customs implied by ancient artifacts, the behavior of creation and the activities of using objects, from the behavioral, eventful to instrumental subjectivity, from creation to objects, and from the perspective of design. To achieve the theoretical thinking and innovation about things.
【学位授予单位】：江南大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J505
，
本文编号：2276211
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