是枝裕和电影艺术特征研究.pdf 免费在线阅读前50页

  本文关键词：是枝裕和电影艺术特征研究，由笔耕文化传播整理发布。

网友yixingmaoj近日为您收集整理了关于是枝裕和电影艺术特征研究的文档，希望对您的工作和学习有所帮助。以下是文档介绍：是枝裕和电影艺术特征研究重庆大学硕士学位论文(学术学位)学生姓名:李龙莲指导教师:黄琳教授专业:戏剧与影视学学科门类:艺术学重庆大学美视电影学院二 O 一四年四月The Movie Artistic Features Research ofHirokazu KoreedaA Thesis Submitted to Chongqing Universityin Partial Fulfillment of the Requirement for theMaster’s Degree of Film StudiesByLi LonglianSupervised by Prof. Huang LinSpeciaity: Drama and FilmCollege of Meishi Film Academy ofChongqing University, Chongqing, China.April, 2014中文摘要I摘要二十世纪九十年代以来,一批极具个人风格的新导演登上了日本电影的历史舞台,他们倡导全新的现代电影观念,打破传统日本电影相对僵化的制作模式,以电影革新者的身份广泛受到西方和本土关注,从而掀起了日本新电影运动,他们给日本电影的复苏带来了新的希望。作为这场新电影运动后起之秀的是枝裕和,被评论家称为“同辈人中思想最严肃”和“独一无二”的导演,他擅长运用人文纪实的拍摄技法与虚构超现实的故事,展现生与死、记忆、孤独、丧失、认知等母题,继承回归了传统日本电影富有日常生活气息的家庭伦理观,以一种客观疏离的姿态与怀旧抒情的方式重新审视了当代日本家庭关系及现代人的复杂内心与精神世界。本文以是枝裕和导演及电影作品为研究对象,着重从他的电影文本、形式、风格和主题出发,探讨他电影中所运用的创作技法及主题思想的展现,分析他电影作品的艺术特征、影像风格、文化主题的深层内涵,以及他作为日本新导演的特质与超越性,并通过把他与贾樟柯导演的创作进行比较分析,试图探讨具有纪录片工作经验的电影人在剧情片创作中,所呈现出的共同特征及差异性。关键词:是枝裕和,艺术特征,影像风格,文化主题重庆大学硕士学位论文II英文摘要IIIABSTRACTSince the 1990s, a group of highly personal style of the new directors has steppedonto the stage of the history of the Japanese film. Advocating the new concept ofmodern film and breaking the rigid mode of traditional Japanese film, they drawwestern and domestic attention and create a new Japanese film movement as movieinnovators, bringing new hope to the recovery of Japanese film. As a rising star ofmovie movement, Kore-eda was called the most serious and unique director by critics.He is good at using the filming technique of humanistic documentary and making upsurreal stories to show the life and death,memory,loneliness,loss,cognition and otherthemes,which inherits the family ethics of the traditional Japanese film and re-he relationship between the contemporary Japanese households and plex heartand spirit world of the modern people in the way of nostalgic sentiment and objectivealienation. Taking the director Kore-eda and his film as the research object,from theview of film text,form,style,and theme,this paper discusses the design techniques usedin his films and the representation of the theme,analyses the artistic features,imagestyle,and deep connotation of cultural theme in his films,and shows his qualities andtranscendence as a new director in Japan.What's more,paring and analyzing hisworks and the creations of the director jia zhangke, this paper also tries to explore mon characteristics and differences of filmmakers who have rich workingexperience of documentary in drama film creation.Keywords: Hirokazu Koreeda, artistic features, image style, cultural theme重庆大学硕士学位论文IV目录V目录中文摘要I英文摘要III1 绪论12 是枝裕和电影的创作背景与生平 52.1 日本新电影运动的背景概述62.2 是枝裕和创作生平与艺术道路93 是枝裕和电影的形式与风格 173.1 是枝裕和电影的叙事形式183.1.1 去戏剧化的情节书写 193.1.2 生活流的时空交织 223.1.3 限制情境下的人物命运 253.2 是枝裕和电影视听语言的运用273.2.1 纪录片技巧的运用 283.2.2 长镜头的运用 303.2.3 声音的叙事与抒情 363.3 是枝裕和电影的创作风格383.3.1 真实与虚构的融合 383.3.2 叙事与情感的平衡 403.3.3 象征与隐喻的运用 424 是枝裕和电影的文化主题阐述 454.1 是枝裕和电影中的生死观454.1.1 对死亡的书写 484.1.2 对生存的关怀 494.2 是枝裕和电影中的家庭观514.2.1 疏离与牵绊的亲情 534.2.2 缺失与重构的

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  本文关键词：是枝裕和电影艺术特征研究，，由笔耕文化传播整理发布。