叩问人生的艺术——从电影《百鸟朝凤》谈开去

发布时间：2017-12-31 01:39

本文关键词：叩问人生的艺术——从电影《百鸟朝凤》谈开去　出处：《文艺研究》2016年09期 　论文类型：期刊论文

【摘要】：对票房的过度追捧导致市场意识逐渐成为社会潜意识,其中包含着对于电影的文化属性和历史价值的彻底否定。今天人们讨论的电影问题已经不再是20世纪80年代和更早以前讨论的电影问题,或者说今天出现在影院里的电影也不再是过去我们看到和谈论的电影——并不是文艺片和商业片的类型区别,而是电影观念上的根本分歧。电影《百鸟朝凤》之所以引起广泛关注,获得观众认可,是因为观众呼唤这一类影片的出现。要厘清的概念不是什么叫文艺片,什么叫商业片,而是要回到创作的原点,重新定义什么是电影、什么是电影艺术、重新思考电影的价值何在、电影是拍给谁看的这些最基本的问题。
[Abstract]:Excessive pursuit of box office led the market has gradually become the social consciousness of the subconscious, which contains negation for the film's cultural attribute and historical value of the film. People talk about today is no longer a problem of the movie in 1980s and earlier discussion, or today appeared in the theater the film is no longer the past we see differences and types talking about the movie, not art films and commercial films, but fundamental differences in the concept of films. The film < bainiaozhaofeng > has aroused extensive attention, get the audience recognition, because the audience is calling for this kind of film. To clarify the concept of what is what is called art films, commercial films, but to return to the origin. What is the definition of re creation, the movie, what is the art of film, think again about the value of the film in the film, was taken to see who the most radical This is the problem.

【作者单位】：中国艺术研究院文化发展战略研究中心;
【分类号】：J951
【正文快照】： 一方励下跪将成为年度社会热点事件,相关评说交给娱乐媒体和八卦网站。事件发生之后看《百鸟朝凤》不再是单纯的观影体验,有点儿像当年拉洋片儿看西洋景儿,看世间万象,看人生百态。对导演吴天明来说,《百鸟朝凤》就是一个预言,追溯《没有航标的河流》,沉入喧嚣散去的《老井

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