电影叙事学视角下的《解救吾先生》

发布时间：2018-01-02 13:07

本文关键词：电影叙事学视角下的《解救吾先生》　出处：《电影文学》2016年14期 　论文类型：期刊论文

【摘要】：2015年上映的警匪片《解救吾先生》是中国警匪类型片的突破型作品。导演丁晟利用电影叙事学原理,巧妙地将电影的时空架构进行艺术化的处理,正是这种处理使得现实中22个小时的人质解救过程被演绎成100多分钟时长的电影。影片在叙事上具有独特的风格:以纪实主义为基调,叙事节奏感强烈,电影时空的多重交错。文章即以此为切入点,从雕刻时间,镂刻空间,视点、类型化元素与细节三方面,以电影叙事学观照《解救吾先生》。
[Abstract]:The police and bandit film "freeing Mr. Wu" released in 2015 is a breakthrough work of Chinese police and bandit type films. The director Ding Sheng skillfully handled the space-time structure of the film artistically by using the principle of film narratology. It is this kind of treatment that makes the 22-hour hostage rescue process in reality become more than 100 minutes long film. The film has a unique narrative style: based on documentalism, the narrative rhythm is strong. The article regards this as the breakthrough point, from the three aspects of carving time, engraving space, viewpoint, type elements and details, to view "Mr. Save me" from the perspective of film narratology.
【作者单位】：海南热带海洋学院;
【分类号】：J905
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