“纯粹电影”命题下立体电影的特性分析

发布时间：2018-01-05 11:14

本文关键词：“纯粹电影”命题下立体电影的特性分析　出处：《聊城大学》2014年硕士论文　论文类型：学位论文

【摘要】：有声电影和彩色电影的问世被称为电影技术的两次重要革命,“声音”和“色彩”的出现使电影“技艺”属性的表达更加趋向完整。自21世纪初期,数字技术在电影艺术的领地之内,天马行空般的“大行其道”,使其被推上了相较于前两次技术革命同样重要的位置,数字电影成为了真正的主流。而运用立体影像技术制作的立体电影,更是作为一枝独秀的电影放映类型,迅速席卷整个电影市场。在科技进步所带来的文化繁荣之中,立体电影曾一度是电影市场的强心剂,以其奇观的视觉体验优势刺激着整个电影产业的更新,无论是从票房成绩还是影院播放机制都具有积极的良性效应。随着立体电影话题性与焦点性的前置地位,针对立体电影的理论研究多是集中在技术层面与产业方向,对于其本质性的审视并不多见。本文以“纯粹电影”为命题旨在突出从影像本体的角度对立体电影进行真实观、空间感、立体性的特性分析,并在此过程之中,以安德烈·巴赞的美学思想为依据,给予立体电影以上特性的理论关照。论文在对立体电影特性分析的同时,也对数字时代下,巴赞美学出现的热点议题进行详细论述与重新审视。将巴赞理论体系中“展示真实”、“银幕窗户”、“景深镜头”三个核心关键词与立体电影“真实观”、“空间感”、“立体性”的特性相应的关联起来,对之进行概念分析、对比探讨、颠覆论证。试图以“立体电影”作为一种研究类型,在扩充其理论范畴的基础之上,对立体电影特性及其创作的“炫技”标签进行脱离和正名。这是将个人解读进行定义的一次尝试,也是对经典理论的一次致敬。
[Abstract]:Movies with sound and color film is known as the two important revolutionary film technology, "sound" and "color" to express the film "skill" attributes tend to be more complete. Since the beginning of twenty-first Century, digital technology in film art within the territory, a powerful and unconstrained style like "popular, which pushed on the first two compared to the same technological revolution important position, digital film has become a truly mainstream. While making use of three-dimensional imaging technology of three-dimensional movies, but also as a thriving film type, quickly swept through the whole movie market. Bring in the scientific and technological progress and cultural prosperity, three-dimensional film once the film market in the arm, with its advantages of stimulating visual experience the wonders of the whole film industry updates, whether it is from the box office or the cinema has a benign effect mechanism should be positive with. A front position of three-dimensional film topics and focus of the theoretical research for the three-dimensional film is more focused on the technical level and direction of the industry, to examine the nature of the rare. This "pure cinema" in order to highlight the real view of the proposition, the sense of space three-dimensional film from image ontology Perspective analysis of the characteristics of three-dimensional, and in this process, with Andre Bazin's aesthetics theory as the basis, given the above characteristics. The three-dimensional film in the analysis of three-dimensional film features at the same time, also in the digital era, Pakistan hot issues come praise in detail and re-examine the system of Barzun's theory ". Show", "screen window", "three core keywords depth lens and stereoscopic film" real view "," sense of space "," characteristic of three-dimensional "corresponding relation, The concept of comparative analysis, to explore, to subvert the argument. Trying to "stereo movie" as a type of research, based on the expansion of its theory, the characteristics of three-dimensional film and its creation virtuoso tab from the name. And this is an attempt to define personal interpretation, but also to a tribute to the classic theory.

【学位授予单位】：聊城大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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