新西部电影中“西部精神”的塑造和文化传承
发布时间:2018-01-05 13:03
本文关键词:新西部电影中“西部精神”的塑造和文化传承 出处:《陕西师范大学》2013年硕士论文 论文类型:学位论文
【摘要】:产生于20世纪八十年代的中国西部电影在文化内涵、制作方式和整体风格上,已经形成了自身成熟的形态,并在中国电影史上扮演着特殊的角色,处于重要的地位,成为了一个标志性的中国民族电影品牌,引领着中国电影走上世界电影舞台的中央。 作为一种文化样态和传播媒介,西部电影在发展进程中,承载了许多民族精神与民族母体文化,对受众的精神、文化以及认知上产生着变革式的影响。在中国这样一个历史悠久,文化丰富多样,人文精神积淀深厚的国家,文化界对于民族自身和文化母体的探讨从未间断。中西部电影就成长于这么一个文化“寻根”的民族。中国西部电影从八十年代起,就对中国电影甚至整个华语电影有着震荡式的影响,从陈凯歌,张艺谋等许多第五代导演在对于电影语言,创作风格以及思想内涵的不断探索上,创造出了一种中国传统文化的共同认知符号,这种符号化的形象在之后电影当中也被充分的诠释,从而形成了一种极具特色的“西部精神”。 西北风沙黄土,贫瘠荒凉所孕育的中国传统文化,是粗犷的农耕文化,也是中华民族的母体文化,这些特有的西部文化传统都渗透在西部电影中并随之成为人们心中的文化符号,在典型的西部电影创作中,创作者都在用当代主流观念去反思和描绘发生在这片广袤西部的人和故事,造就了一类具有鲜明西部文化特色的人物形象,通过展示他们的人生经历,讲述封建愚昧与现代文明、乡村与城市、旧与新的碰撞和矛盾以及人们痛苦、纠结、坚持、反抗和奋斗的历史。在社会政治、经济、文化高速发展,都市化不断演进、市场经济浪潮风起云涌的时代,西部广大农村地区与现代都市文化的矛盾对立,更加凸显了中国西部电影所要阐释、传达的西部精神中人性的坚强和坚韧、对民族意识的坚守和传统文化的传承。 本文通过对西部电影起源和流派发展的梳理,解读西部电影中的典型形象、文化内涵,分析中国传统文化在西部电影创作中产生的影响,以及随着时代的发展和中国电影的发展而不断变化的西部电影意象,全方位地分析与阐释西部电影中所特有的西部精神。并结合当下国内外电影生态环境,具体分析了美国西部片与中国西部电影的异同,在分析中总结经验,就西部电影中代表着中国传统文化精髓的西部精神的传播与传承所面临的问题,提出了立足特色文化,面向国际市场;商业化经营、产业化管理;与时俱进吸纳先进文化等具体的建议,为传承民族文化的精粹、把西部电影这一民族电影品牌发扬光大、为中国电影的发展贡献力量。
[Abstract]:In twentieth Century 80s China in the western film culture connotation, production mode and overall style, has formed its own mature form, and in the China movie history plays a special role in an important position, has become an iconic Chinese national film brand, leading the Chinese film onto the world film the center of the stage.
As a form of culture and media, western films in the process of development, a lot of bearing the national spirit and national culture, to the audience's spirit, culture and cognition on the impact of change type. Chinese in such a long history, rich culture, humanistic spirit deeply rooted in the national and cultural circles to explore the culture of the nation itself and never stopped. The Midwest movie grew up in such a cultural roots of the nation. Chinese western film from 80s onwards, there is a type of shock effect, Chinese film and even the whole Chinese film from Kaige Chen, Zhang Yimou and many other directors of the fifth generation in the film language, continue to explore the creation style and connotation, to create a common understanding of a Chinese symbol of traditional culture, the symbolic image after the movie has been fully interpretation As a result, a distinctive "spirit of the west" was formed.
Northwest sandy loess, barren desert also China traditional culture, is a rugged farming culture, and culture of the Chinese nation, the unique cultural tradition of Western penetration in the western movies and then become a cultural symbol in people's mind, in the western film creation in a typical creator in the contemporary mainstream idea reflection and description occurred in the vast western people and stories, created a kind of distinctive western culture characters, by showing their life experiences, about feudal and modern civilization, the city and the country, the old and new collision and conflict and human suffering, struggle, persistence, resistance and struggle of history the economy in the social and political, cultural, and rapid development, the continuous evolution of urbanization, market economy era contradictions raging like a storm, in the vast rural areas and modern city culture. It also highlights the interpretation of the western Chinese film, the strong and tough nature of human nature in the western spirit, the adherence to national consciousness and the inheritance of traditional culture.
Based on the origin and development of the western film genre analysis, the connotation of a typical image interpretation of western film culture, analysis of the influence of traditional culture in the creation of China produced in the western film, and changing with the development of the times and the development of the film China Western movie image, unique and comprehensive analysis and interpretation of western movies in the spirit of the West. And combined with the current domestic and foreign film ecological environment, analyzes the similarities and differences between the western and China of western movies, summing up the experience in the analysis, dissemination and inheritance of traditional China represents the cultural essence of the western spirit in the Western film problems, put forward based on the characteristics of culture, for the international market; commercial management, industrial management; absorb advanced culture specific times, for the inheritance of national culture, the western film of this nation The film brand is flourish and contributes to the development of Chinese films.
【学位授予单位】:陕西师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J905
【参考文献】
相关期刊论文 前10条
1 李小丽;浅论中国“西部电影”的类型化特征[J];当代电影;2005年03期
2 张阿利;中国西部电影二十年[J];电影艺术;2004年02期
3 曹小晶;论中国西部电影女性人物形象的文化意蕴[J];电影艺术;2004年02期
4 张阿利;论西部电影与中国传统文化[J];电影艺术;2005年04期
5 张阿利;中国西部电影的美学特征[J];电影艺术;2005年06期
6 李震;新文学地理中的西部高地[J];陕西师范大学学报(哲学社会科学版);2004年06期
7 李伟;美国西部影片与中国西部影片之比较[J];唐都学刊;2003年04期
8 李星;西部精神与西部文学[J];唐都学刊;2004年06期
9 张阿利;中国西部电影的回顾与前瞻[J];西北大学学报(哲学社会科学版);2003年04期
10 聂伟;沈正军;;钟惦h形鞑康缬懊姥枷氲牡毕虏蚚J];西北大学学报(哲学社会科学版);2008年03期
,本文编号:1383218
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/1383218.html