当代电影配乐创作及数字化工具应用研究

发布时间：2018-01-05 19:29

本文关键词：当代电影配乐创作及数字化工具应用研究　出处：《南京艺术学院》2016年硕士论文　论文类型：学位论文

【摘要】：现今,数字化技术的发展和应用已经普及于我们生活当中的每一个角落,随着数字信息技术的不断发展与完善,各个行业的生产与运行对于信息数字化的依赖也越发深刻,数字化已经开始悄悄地改变着我们生活工作上的习惯和方式。在艺术创作上同样如此,在当代电影音乐的创作和制作过程中,专门为创作电影配乐而开发的软件、音源、合成器、效果器等已成为作曲家手中必不可少的音乐创作工具,本文旨在通过实例剖析和尝试性的数字化工具制作等研究方法对当下电影配乐工具化、数字化的应用上做出较为系统的分析和探究,通过分析合成器、采样音色、音频处理工具等数字化创作工具在当下主流电影中画面情绪、场景氛围中的应用,归纳总结工具化、数字化配乐创作模式下的一些基本原则及技术手段,以此为影视配乐工作者、学习者提供一些基础的参考。
[Abstract]:Nowadays, the development and application of digital technology has been popularized in every corner of our life, with the continuous development and improvement of digital information technology. The production and operation of various industries also rely more and more deeply on the digitization of information. Digitization has begun to change the habits and ways of our life and work quietly. The same is true of artistic creation. In the process of the creation and production of contemporary film music, the software, sound source, synthesizer, effect device and so on, which are specially developed for the creation of film soundtrack, have become the indispensable musical creation tools in the hands of the composer. The purpose of this paper is to make a systematic analysis and exploration on the current film soundtrack instrumentalization and digitization application by analyzing the synthesizer through example analysis and trial digital tool making and other research methods. Sampling timbre, audio processing tools and other digital creation tools in the current mainstream film screen mood, scene atmosphere in the application, summed up the tool. Some basic principles and technical means under the model of digital soundtrack creation to provide some basic reference for film and television music workers and learners.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J617.6

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