恐怖电影中的身体意象及其审美意义

发布时间：2018-01-07 18:09

本文关键词：恐怖电影中的身体意象及其审美意义　出处：《浙江师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：恐怖电影作为类型电影中的一个重要组成部分,一直都深受观众喜爱以及研究者的重视。近年来,恐怖电影的观影人数不断攀升,与恐怖电影有关的学术研究成果也日渐增多。这些论文所涉及的核心论题,以恐怖电影中的审美愉悦或审美转化问题居多,或倾向于对某一局部地区或领域的恐怖电影加以具体研究。本文试图在前人研究基础之上,另辟蹊径,从美学角度来对恐怖电影中的身体意象及其审美意义做一番梳理和把握。除前言、结语外,论文主体分三个章节。第一章先简单回顾一下恐怖电影的身体简史,再依据塑形方式、表现题材的不同,将恐怖电影中的身体意象划分为三种类型,即物化的身体意象,异常化的身体意象以及幻化的身体意象,并对每一类型身体意象进行详尽分析。其中,物化的身体意象可划分为两类：纯粹恐怖之物,以及物与人的合体——以此象征外在世界充满着危险与恐怖,人类自始至终都难以摆脱外在世界的影响与束缚；异常化的身体意象亦能分为两类：残缺的身体意象与变态的身体意象——以此象征对于人类而言,最恐怖的莫过于人自身；幻化的身体意象亦有两类：灵异的身体意象以及不在场的身体意象——以此象征未知世界同样充满了难以言喻的恐怖。第二章从外在表现方式和内在表现方式两个不同层面对恐怖电影中的身体意象作出总结,认为外在表现方式主要包括四点：其一,直接呈现,即以最直接的方式对恐怖电影中的恐怖形象加以还原；其二,化妆,即采用化妆的方式来刻画恐怖电影中的身体形象；其三,道具,即以某些特定道具来充当恐怖身体的替代品；其四,特技,即运用电脑技术将原本只存在于人类头脑之中的恐怖身体形象制作出来并投放到荧幕之上。内在表现方式则更强调电影导演、编剧的主观意图,通过营造恐怖氛围来强化观众对恐怖身体意象的理解。在恐怖电影身体意象的具体制作中,两类表现方式常常一起使用,共同塑造恐怖电影中复杂而又丰富的诸类身体意象。第三章对恐怖电影中的身体意象所传达的审美意义进行了反思,认为恐怖电影中的身体意象以及表现方式对于传统审美观念中“以美为美”的观念而言是一种颠覆。这种颠覆主要体现在以下三个方面：其一,恐怖电影身体意象所呈现的是一种艺术恐怖；其二,恐怖电影中的恐怖身体意象能促使负面情感的宣泄；其三,恐怖身体意象能使人在有距离的审美观照中获得审美愉悦。本文以对比研究法、文献研究法、归纳总结法等作为主要研究方法,并结合大量电影作品实例来阐释论点论据,发掘其间具有重要理论价值的观点,以深化人们对于恐怖电影身体意象的认识。
[Abstract]:Horror film as an important part of the type of film, has been loved by the audience and the attention of researchers. In recent years, the number of horror films has been increasing. The academic research results related to horror films are also increasing. The core topics of these papers are the aesthetic pleasure or aesthetic transformation in horror films. Or tend to a specific study of a local area or field of horror film. This paper attempts to explore a new way based on previous studies. From the aesthetic point of view, the body image and its aesthetic significance in horror movies are combed and grasped. In addition to the preface, the conclusion, the main body of the paper is divided into three chapters. The first chapter briefly reviews the history of the body of horror film, then according to the molding way, the different performance of the subject matter, the body image in the horror film can be divided into three types, that is, the body image of materialization. The abnormal body image and the phantom body image are analyzed in detail. Among them, the materialized body image can be divided into two categories: pure terror. And the combination of things and people-symbolizing that the external world is full of danger and terror, and that it is difficult for human beings to get rid of the influence and bondage of the external world from beginning to end; Abnormal body image can also be divided into two categories: incomplete body image and abnormal body image-as a symbol of human being, the most horrible thing is the person himself; There are also two types of phantom body imagery: the spiritual body image and the absent body image-which symbolizes the unknown world with unspeakable horror. The second chapter summarizes the body image in the horror film from two different aspects of the external expression mode and the internal expression mode, and thinks that the external expression mode mainly includes four points: first, the direct presentation. That is to say, in the most direct way, the horror image in the horror film should be restored; Second, makeup, that is, the use of makeup to portray the body image in the horror film; Third, props, that is, with certain specific props to act as a substitute for the body of terror; Fourth, the use of special effects, that is, the use of computer technology will only exist in the human mind to create the body image of terror and put on the screen, the internal expression is more emphasis on the subjective intention of film directors, screenwriters. Through the creation of terror atmosphere to strengthen the audience to understand the body image of terror. In the specific production of body image of horror film, the two kinds of expression are often used together. To create the complex and rich body images in horror movies. The third chapter reflects on the aesthetic significance of the body image in the horror film. It is considered that the body image and the way of expression in the horror film is a kind of subversion to the traditional aesthetic concept of "beauty as beauty". This kind of subversion is mainly reflected in the following three aspects: first. The body image of horror film is a kind of artistic terror. Secondly, the body image of terror in horror film can promote the negative emotion's catharsis; Thirdly, the horror body image can make people obtain aesthetic pleasure in the distance aesthetic picture. In this paper, comparative research method, literature research method, induction and summary method as the main research methods, and a large number of film examples to explain the arguments, explore the point of view with important theoretical value. In order to deepen people's understanding of the body image of horror movies.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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