纪实影像对乡土中国的书写与观照

发布时间：2018-01-08 13:02

本文关键词：纪实影像对乡土中国的书写与观照　出处：《现代传播(中国传媒大学学报)》2017年11期 　论文类型：期刊论文

【摘要】：禀持纪实理念和纪录片人的社会责任感,20世纪80年代后期以来纪实影像对社会转型期乡土中国的书写,真实记录了乡土中国亦喜亦忧的现实状况,生动而直观地反映了乡土中国的现实图景,记录了比人们刻板成见中更为丰富立体的农民形象,为中国现代化进程中乡村的变迁留下了鲜活的影像注脚。从民族文化主题统摄下乡土人情初露端倪、平民意识和纪实主义大旗下展示多姿乡村、于时间积淀中呈现剧烈变迁成为纪实影像观照乡土中国的三个人文视角。
[Abstract]:Holding the documentary idea and documentaries' social responsibility, the documentary images of the late 80s of the 20th century have written the rural China in the period of social transformation, which is a true record of the realistic situation of the native China as well as its joy and concern. It vividly and intuitively reflects the realistic picture of native China, and records a more abundant and three-dimensional image of peasants than people's stereotype. In the process of modernization of China, it left a vivid image of the changes of the rural areas. From the theme of national culture under the control of local human relations emerging, civilian consciousness and documentalism under the banner of the display of colorful countryside. The dramatic changes in the accumulation of time have become the three humanistic angles of view of the local China.
【作者单位】：山东艺术学院传媒学院;
【基金】：国家社会科学基金艺术学项目“新媒体语境下纪录片类型与风格的多元发展研究”(项目编号:16BC036)的研究成果
【分类号】：J952
【正文快照】： 早在上个世纪40年代,费孝通在他的《乡土中国》一书中就以“从基层上看去,中国社会是乡土性的”(1)为开篇,尝试回答“作为中国基层社会的乡土社会究竟是个什么样的社会”这一问题,并把乡土本色、差序格局、礼治秩序、无讼、长老统治等作为乡土社会的基本特征。自晚清新政开始,

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