显影不可见之物:纪录片作为中东内外巴勒斯坦人日常生活的编年史

发布时间：2018-01-09 01:04

  本文关键词：显影不可见之物:纪录片作为中东内外巴勒斯坦人日常生活的编年史　出处：《北京电影学院学报》2017年02期 　论文类型：期刊论文

  更多相关文章： 巴勒斯坦 以色列 纪录片 行动主义

【摘要】：本文开篇介绍了为回应以色列在2014年7月在加沙地带发动的袭击而创立的网站palestinedocs.net,并提及了许多反映巴勒斯坦困境的纪录片。本文追溯了早在1896年巴勒斯坦就被展示在影片中的历史,并强调了使巴勒斯坦人发声并现身的重要性,尤其是考虑到以色列总理果尔达·梅厄(Golda Me?r)曾在1969年宣称"他们不存在"。本文提出将这些影片分为四类(多少有些重叠):国际电影(International Films)、巴勒斯坦人拍摄的电影(Films Made by Palestinians)、流亡电影(Exilic Films)和自由主义的以色列电影(Liberal Israeli Films)。如果这些国际电影总是能够展现外来者的观点,这些外国电影人就能够很强烈地表述他们在看见占领下的巴勒斯坦那荒谬怪诞的生活时感受到的震惊,并且令观众大开眼界。另一方面,巴勒斯坦人拍摄的电影则提供了一种对于占领之下的生活的观察,这些影片常常把这种经历讲述成时间和空间的单一汇集。然而,基于大部分巴勒斯坦人都处于流亡状态,第三组影片主要由居住于中东地区之外的巴勒斯坦人制作,这些影片通常以乡愁、个人身份和归属感为中心。最后,由以色列人制作的影片表现了以色列国内对于当局对巴勒斯坦政策的反对,一些影片表明他们确信继续进攻不符合以色列的最大利益。
[Abstract]:This paper begins with the introduction of Israel was founded to respond in the July 2014 attacks in Gaza Strip's website palestinedocs.net, and mentioned that many reflect the plight of the Palestinians of the documentary. This paper traces back in 1896 by Palestinian display in the film history, and emphasizes the importance of sound and the Palestinians appeared, especially considering the Israeli Prime Minister Golda Meir (Golda Me? R) has declared that they do not exist in 1969. In this paper, these films are divided into four categories (somewhat overlapping): International Film (International Films), Palestinian film (Films Made by Palestinians) (Exilic Films), exile film and liberal Israeli film (Liberal Israeli Films). If the international film can always show outsiders point of view, these foreign filmmakers can very strong surface They saw the feeling in occupied Palestine life that ridiculous when shocked, and the audience eye-opening. On the other hand, Palestinian film provides for observation of a life under occupation, these films often put the story into a single collection of time and space. However, the majority of Palestinians in exile are based on third groups of films mainly by living in the middle east outside of the Palestinian production, these films usually with nostalgia, personal identity and sense of belonging to the center. Finally, the Israelites made the film shows to the authorities on the Palestinian Israeli domestic policy against some movies that they believe to attack does not meet the best interests Israel.

【作者单位】： 丹麦哥本哈根大学电影与媒体研究系;北京电影学院电影学系;
【分类号】：J952
【正文快照】： 在政治上和道德上被正视的罪行。——伊兰·帕佩(Ilan Pappé)[2]当暴力被看作是经济、政治和社会关系的产物时,对它的批评应该主要着眼于展现那些不平等、剥削及不公正,而不仅仅是单纯地宣扬对苦难的同情和对他人的忍耐和尊敬。——舒希尼·绍德胡里(Shohini Chaudhuri)[3]20，

本文编号：1399360