中国传统艺术形象在动画创作中的再塑造研究

发布时间：2018-01-09 13:18

本文关键词：中国传统艺术形象在动画创作中的再塑造研究　出处：《西北大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国动画曾有着它的辉煌时期,许多具有民族特色的动画影片在世界上获得大奖,这些优秀的国产动画片,不但内涵上具有浓烈的中国传统文化特色,外在表现形式上突出强烈的中国传统艺术文化,且在演绎手法上直接或者间接地运用了许多民间传统艺术形象,因而具有浓烈的东方文艺特色,西方国家称之为“中国学派”。然而,近年来的中国动漫作品整体上缺乏艺术吸引力,无论从剧本创意、动画造型、审美情趣等方面还略显陈旧,粗糙。有些作品取材虽着眼于中国传统文化,但要不摆脱不了原著的桎梏,要不就匪夷所思,情节低幼,造型简单,说教缺乏内涵。更有甚者没有经过认真的吸收借鉴,就盲目抄袭国外动画的创意风格,逐渐脱离本身的文化底蕴,毫无特色可言。动漫与其它作品相比最大的特点就是创意,创意决定了动漫作品的成败,技术只是实现创意的辅助手段。创意不是完全主观的,它源泉在于各民族特有的文化艺术传统,深厚的民族传统文化艺术可以孕育并激发出无限的创意,另一方面,传统文化艺术给动漫创作带来独特的视野,拓展动漫创作的领域,从而使动漫作品产生吸引观众的魅力并体现出优良的民族传统文化内涵。纵观近些年国内外优秀的动画作品,它的共同特点就是成熟的民族化、独特鲜明的民族风格和传统文化印记。中国传统艺术形象被很好的融入动画作品中,动画作品也同时成为一个中国传统艺术形象的传播载体。本文将以形象内在价值、外在造型艺术形式,两个方面对中国传统艺术形象在动画创作中的再塑造进行研究。这篇论文希望能够引起人们对动画“民族化”的关注和重视。
[Abstract]:Chinese animation had its glorious period, many animation films with national characteristics won awards in the world, these excellent domestic animation, not only has a strong connotation of Chinese traditional cultural characteristics. The external form of expression highlights the strong Chinese traditional art culture, and in the deductive techniques directly or indirectly used many traditional folk art images, so it has a strong oriental literary and artistic characteristics. Western countries call it the "Chinese school". However, in recent years, the Chinese animation works on the whole lack of artistic attraction, whether from the script creativity, animation modeling, aesthetic taste and other aspects are still slightly out of date. Rough. Although some works focus on Chinese traditional culture, but not from the shackles of the original, or unimaginable, the plot primary-age, simple modeling. The preaching lacks the connotation. Even without serious absorption and reference, it blindly copied the creative style of foreign animation, gradually divorced from its own cultural heritage, and has no characteristics to speak of. Animation and other works compared with the greatest feature of creativity, creativity determines the success or failure of animation works, technology is only the auxiliary means to achieve creativity. Creativity is not completely subjective. Its source lies in the unique cultural and artistic traditions of various nationalities, the profound traditional culture and art can breed and inspire unlimited creativity, on the other hand, traditional culture and art bring a unique vision to animation creation. Expand the field of animation creation, so that animation works to attract audience charm and reflect the fine national traditional cultural connotation. Looking at the domestic and foreign excellent animation works in recent years. Its common characteristics are mature nationalization, unique national style and traditional cultural imprint. Chinese traditional art image is well integrated into animation works. Animation works also become a traditional Chinese art image transmission carrier. This article will be based on the image of the intrinsic value of the external plastic art form. This paper studies the remolding of Chinese traditional artistic image in animation creation from two aspects. This paper hopes to arouse people's attention and attention to the nationalization of animation.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;J218.7

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