伯格曼电影的美学特征

发布时间：2018-01-10 00:02

本文关键词：伯格曼电影的美学特征　出处：《江西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：作为在电影艺术上，兼顾“圣三位一体”和“三大作者”的唯一一位导演，英格玛·伯格曼是第一位探究内心世界来构建全部艺术作品的电影人。他对好莱坞快餐式电影文化进行否定，，以及确信“最好的交流方式不是语言而是艺术”；他是一个以电影为自己的画笔支撑自己创造思考的导演，一个用艺术唤起人类灵魂对话的大师。本文主要讲述英格玛·伯格曼这位导演的电影美学特征，就这方面来说可以体现在以下五个方面：1.概括与集中；2.创造独特的影视时间和空间；3.形成不同的节奏，创造风格；4.表达寓意，创造意境；5.吸引观众的注意力，激发观众的联想。
[Abstract]:As the only director in film art, both the Holy Trinity and the three authors. Ingmar Bergman was the first filmmaker to explore the inner world to construct all the works of art. He negated Hollywood fast-food film culture and was convinced that "the best way to communicate is not language but art." He is a director who uses film as his brush to support his creative thinking, a master who uses art to evoke the dialogue of the human soul. This article focuses on the aesthetic characteristics of the film directed by Ingmar Bergman. In this respect can be reflected in the following five aspects: 1. Summary and concentration; 2. Creating unique film and television time and space; 3.Forming different rhythm and creating style; 4. Expressing moral and creating artistic conception; 5. Attract the attention of the audience, stimulate the association of the audience.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J901

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