金铁木纪录片研究

发布时间：2018-01-10 02:06

本文关键词：金铁木纪录片研究　出处：《兰州大学》2014年硕士论文　论文类型：学位论文

【摘要】：进入2000年以后,中国纪录片面临一个向市场化转型的难题。具有电影学背景的金铁木对此进行了一系列尝试和探索,成功将故事电影的制作思路和制作模式引入历史题材纪录片的创作,不仅实现了纪录电影的市场突围,还在非市场行为的宣传纪录片和独立纪录片之外,开辟出市场的主流类型——商业纪录片。金铁木的《复活的军团》《玄奘之路》《圆明园》等一系列纪录片都收到了良好的受众反馈。他的作品运用搬演、数字特技等拍摄手法真实地复原了历史场面,给受众带来了极其逼真的历史画面,这无疑是一种刺激的视觉体验,给受众带来了丰富的审美愉悦。同时,作者还赋予影片个人作者式的解读,并对历史加入个人反思,这就使得影片同时具备了艺术性和知识性。如今,在中国当代纪录片的专业领域内,金铁木凭借着其历史文化纪录片颇具代表性的创作特点,在纪录片市场拥有着不可替代的地位。本文以金铁木的历史人文纪录片为研究对象,通过对其作品的系统整理和研究,归纳出导演的创作手法和影片的文化内涵,并对其商业模式进行探索。以此归结出适宜国情的典型创作范式,这个范式将包含从融资、创意、制作、发行、营销的各个环节。
[Abstract]:Since 2000, Chinese documentaries are facing a difficult problem of market-oriented transformation. Jin Tiemu, who has film background, has made a series of attempts and explorations. The successful introduction of story film production ideas and production models into the creation of historical documentaries, not only achieve the record film market breakthrough, but also in the non-market behavior of propaganda documentaries and independent documentaries. A series of documentaries, such as Jin Tiemu's the Resurrection Legion, the Road of Xuanzang, Old Summer Palace, and so on, have received good feedback from the audience. Digital stunts and other shooting techniques truly restore the historical scenes, to the audience to bring extremely realistic historical picture, this is undoubtedly a stimulating visual experience, to the audience to bring a wealth of aesthetic pleasure. At the same time. The author also gives the film a personal writer's interpretation and a personal reflection on history, which makes the film both artistic and intellectual. Now, in the professional field of contemporary Chinese documentaries. Jin Tiemu has an irreplaceable position in the documentary market because of its representative creation characteristics of historical and cultural documentaries. This paper takes Jin Tiemu's historical and humanistic documentary as the research object, through the systematic arrangement and research of his works, sums up the director's creative technique and the cultural connotation of the film. By exploring its business model, this paper concludes a typical creative paradigm suitable for national conditions, which will include all aspects of financing, creativity, production, distribution and marketing.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

【参考文献】