新时期以来中国大陆电影的“行走叙事”研究

发布时间：2018-01-10 04:29

本文关键词：新时期以来中国大陆电影的“行走叙事”研究　出处：《山东师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：新时期以来，，许多中国大陆电影将摄影机瞄准道路，以叙述当代中国人在旅途中的遭遇为故事模式，并以旅行故事中角色的行为、心理状态来表情达意。针对这一现象，本文创新性地提出“行走叙事”这一概念。概括来讲，“行走叙事”就是以顺应时代为电影拍摄的着眼点，时刻以旅行中的所见所闻为出发点，审视当下社会现状和人的价值信仰。更重要的是，“行走叙事”使得看似普通的电影情节具有了陌生化的审美意义。本文对新时期以来中国大陆电影“行走叙事”的研究，即通过对三十多年来具有“行走叙事”影片的具体分析，总结归纳出其共性特征并加以详细阐述，以力图丰富“行走叙事”的理论内容。本文正文共分为四个部分：第一部分，新时期以来中国大陆电影“行走叙事”的发展历程。分别从20世纪80年代至90年代初、20世纪90年代中期至新世纪、新世纪至今三个阶段，对“行走叙事”的发展历程进行分析。第二部分，中国大陆电影“行走叙事”的主题特征。本章从追忆过往与驻足缅怀、皈依情怀与回归故土、反思与成长的心灵旅程三个方面对“行走叙事”的主题特征进行论析，并结合相关影片所显现出来的主题内涵，把握“行走叙事”的主题意蕴。第三部分，中国大陆电影“行走叙事”的叙事特征。本章同样是采用文本分析的方式，从非连贯的叙事结构、非情节叙事和非封闭性结局这三方面，对“行走叙事”中的叙事特征进行了归纳分析。第四部分，中国大陆电影“行走叙事”的问题和对策。通过对当前“行走叙事”不足的分析，有助于发掘“行走叙事”在中国影坛乃至理论文化界的意义。
[Abstract]:Since the new era, many mainland Chinese films have aimed cameras at the road, taking the story of contemporary Chinese on the journey as a story model and the behavior of the characters in the travel story. In view of this phenomenon, this paper innovatively puts forward the concept of "walking narrative". Generally speaking, "walking narrative" is the focus of film shooting to conform to the times. From the point of view of what we see and hear in travel, we can examine the present social situation and people's value belief. More importantly, Walking narration makes the seemingly ordinary movie plot have a strange aesthetic significance. This article studies the Chinese mainland film "Walking narration" since the new period, that is, through the concrete analysis of more than 30 years'"Walking narrative" film, summarizes its common characteristics and elaborates in detail. In order to enrich the theoretical content of "Walking narrative", this text is divided into four parts: the first part. From 1980s to 90s, from the middle of 90s to the new century, from 1980s to 90s, there are three stages of the development of the Chinese mainland film "Walking narrative", which is from the middle of 90s to the new century. The second part is the theme of the Chinese mainland film "Walking narrative". This chapter from the memory of the past and stop to remember, conversion and return to their homeland. Introspection and growth of the spiritual journey of the three aspects of the "walking narrative" of the thematic characteristics of the analysis, and combined with the theme of the film revealed connotation, grasp the theme of "walking narrative" implication. Part three. This chapter also adopts the way of text analysis, from the three aspects of discontinuous narrative structure, non-plot narrative and non-closed ending. This paper summarizes and analyzes the narrative characteristics of Walking narration. Part 4th, the problems and countermeasures of Walking narration in the mainland of China. Through the analysis of the insufficiency of the current Walking narrative. It is helpful to explore the significance of Walking narration in Chinese film circle and even in theoretical and cultural circles.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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