好莱坞“机械人”形象研究

发布时间：2018-01-14 12:33

本文关键词：好莱坞“机械人”形象研究　出处：《南京艺术学院》2013年硕士论文　论文类型：学位论文

【摘要】：Donna Jeanne Haraway（哈乐薇）在其专文《人机宣言》（A Cyborg Manifesto）中提到，“由动物至机器，乃至于人文与自然领域，我们都可以在许多电影中看到相关的人机一体的组合与叙事情节”，好莱坞电影在逐年对这种人机一体的组合与叙事情节展示中逐渐勾勒出一种全新的“机械人”形象，无论是从科技哲学议题还是影像发生机制上，一部分文本研究的介入，使得影像环境中的cyborg研究开始解构传统人文主体的二分法，而业已形成的“后人类”观点不仅为“机械人”形象这一概念提供了身份参考，而且也揭示出了其概念本身与图像技术的天然联系。本文将考察含有“机械人”形象的好莱坞电影年表，明确涉及其中的“形象”说法、影像研究与类型电影理论，将好莱坞电影与之匹配的场景异化和美学转变特征，视为受到“身体化社会”理论关照的人类种群的悲情想象，，最后，对于形象研究可能涉及的国别电影“符号”，文章思考了相关跨文化研究的视角和方法。
[Abstract]:"from animals to machines," Donna Jeanne Harawayay wrote in his "Manifesto Manifestoto" article. Even in the field of humanities and nature, we can see the combination and narrative plot of human-computer integration in many films. Hollywood film has gradually outlined a new image of "robot" in the combination and narrative plot display of this human-computer integration year after year, whether from the issue of science and technology philosophy or the mechanism of image occurrence. With the intervention of part of the text research, the cyborg research in the image environment began to deconstruct the dichotomy of traditional human subjects. The posthuman view has not only provided the identity reference for the concept of "robot" image, but also revealed the natural relationship between the concept itself and image technology. This paper will examine the Hollywood film chronology which contains the image of "robot", including the theory of "image", image research and genre film. The characteristics of alienation and aesthetic transformation of the scene matched with Hollywood film are regarded as the sad imagination of the human population which is taken care of by the theory of "body society". Finally. With regard to the national film "symbol" which may be involved in the study of image, the article thinks about the perspective and method of cross-cultural research.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【相似文献】