上海地区美国电影的输入、放映与接受研究（1896-1949）

发布时间：2018-01-15 11:55

本文关键词：上海地区美国电影的输入、放映与接受研究（1896-1949）　出处：《中国艺术研究院》2014年硕士论文　论文类型：学位论文

【摘要】：1949年以前美国电影在上海地区的放映活动是一个复杂而具有深味的历史现象,上海影院里上映的美国电影,不仅仅是一种娱乐的影像消费,更借由影像交替着文化价值的输入,蕴含着文化与经济的双重内涵,是早期电影历史中不可忽视的重要历史现象。在中国电影纷繁芜杂的历史画卷中,美国电影如影随形,以其成熟的电影经验影响与刺激了中国民族电影类型的确立与成长,并在与本土电影的斡旋与市场较量中推动了中国早期电影产业的萌生与发展。本文限定上海地区作为美国电影放映研究的文本范围,结合早期上海特殊的政治格局、经济走向以及文化动态等外部生态环境,从历时的角度梳理美国电影在中国不同时间阶段的表现形态,廓清美国电影市场垄断格局之下上海早期特殊的产业格局以及市场放映体系的基本脉络,以共时的角度透析美国电影与中国电影之间深刻而复杂的“互文”关系,为当下应对好莱坞的强势输入寻求历史经验与路径可能。
[Abstract]:Before the 1949 American film screenings in Shanghai area is a complex and deep taste of historical phenomenon, American movie theater in Shanghai, is not only a kind of entertainment consumer image, more by alternating with the cultural value of the input image, contains a double meaning of culture and economy, is an important historical phenomenon can not be ignored in the history of early film. In the film Chinese complexunorganized in the history of American film, with its mature film as the shadow follows the form, influence and experience to stimulate the establishment and development of the type Chinese national film, and promote the initiation and development of the industry in the early China film mediation and the market and the local film contest.
This article defines the Shanghai area as the American movie on a range of text, combined with the early Shanghai special political situation, the external environment and dynamic economy to culture, from the diachronic perspective of American films in different stages of China forms, the basic context of early Shanghai special industrial pattern and market projection system under the clearance of American movies the market monopoly, in between the synchronic point of American movies and movie China dialysis deep and complex relationship, "intertextuality" may seek historical experience and path for coping with the strong input of the Hollywood.

【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.1

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