1990年代以来的美国反恐电影研究

发布时间：2018-01-15 13:12

本文关键词：1990年代以来的美国反恐电影研究　出处：《南京师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：“反恐”这个主题在现代媒介的传播下变成了新世纪以来所有政府都不得不正视的焦点。作为911事件和恐怖主义的受害者,美国在经历阵痛和彷徨之后,做出了全面的应对和反击,而这也引发了和反恐相关的各种社会现象。反恐题材电影更加直接地反映现实,更加受到电影人和观众的重视,是诸多现象的其中之一。反恐在现实和电影两个纬度上紧密呼应互动,成为当代电影学值得关注的一个课题。鉴于此,本论文将上世纪末1990年代和本世纪初十年来的美国反恐题材电影故事片统合起来作为研究客体,综合电影学、哲学、美学、心理学、社会学、人类学、传播学、政治学等多个学科的知识,在电影本体理论的指导下,对1990年代以来的美国反恐题材电影进行综合论证和比较研究,参照美国政府的反恐决策,对当代美国反恐题材电影进行深入的解读。通过对美国反恐题材电影的分析归纳,结合当下美国政府的决策,我们能够体会和鉴赏到美国反恐电影具有的独特艺术特色,以及其创作方法和人物设置的演变。在这些影像中,我们能读解到这个世界最强国重塑自己的决心,美国人民的心态,各方人士的态度和观点。另一方面,在反恐电影的大量生产和观摩中,在深刻地感受到美国自身实力的强大和优越的同时,我们不得不承认其国家意识形态渗入方法上的巧妙。可以说,美国反恐电影中的国家意识形态,对其所有反恐电影的主题思想,叙事方法,人物形象等都具有明显或潜在的影响。本文的第一章针对美国反恐电影中国家意识的强力灌输,展现和分析了其帝国形象,综合实力,以及软实力的展示途径；第二章则重点分析了美国反恐题材电影里各类人物形象二十余年来在形象特征和功能上的演化。其中包括英雄形象,女性形象,群众形象,反派形象四大节；第三章从宏观的角度,对美国反恐题材电影中反思和出离的一面进行揭示,展现了在美国的反恐斗争中来自各界人士的思考和忧虑,对恐怖主义和恐怖袭击的根源进行了探索。第四章则是从电影本体出发,重点分析了当代美国反恐题材电影在时代变迁中美学精神的变化,以及叙事策略的调整和改变。本论文跟踪和关注当代世界电影的新发展,以宏观的学术视野对上世纪1990年代以来的美国反恐题材电影故事片进行多方面的理论研究,本文的创新点在于两方面,一方面是把上世纪90年代的反恐电影和新世纪以来的反恐电影联系起来,挖掘它们之间的共性和差异,进行横向和纵向的分析和比较。另一方面是从正反两个角度,结合911事件给美国政府和全社会乃至全球带来的影响,分析了美国反恐电影中主流意识和主流意识之外的质疑和忧虑,通过对这些电影的影像特征,镜头语言,对白的分析,揭示出这些电影和社会现实之间千丝万缕的联系,具有一定的时代特色性。
[Abstract]:The theme of "anti-terrorism" has become the focus of all governments in the new century under the spread of modern media. As the victims of 9 / 11 and terrorism, the United States is experiencing pain and uncertainty. Made a comprehensive response and counter-attack, and this also triggered a variety of social phenomena related to counter-terrorism. Anti-terrorist films more directly reflect the reality, more attention by film and audience. Counterterrorism is one of the many phenomena. Anti-terrorism in reality and film in the two latitudes of close interaction, become a topic worthy of attention in contemporary cinematology. In view of this. This thesis combines the American anti-terrorism films of the late 1990s and the beginning of this century as the research object, and integrates film studies, philosophy, aesthetics, psychology, sociology and anthropology. Communication, political science and other disciplines of knowledge, under the guidance of the theory of film ontology, the United States since the 1990s of the theme of anti-terrorism film comprehensive demonstration and comparative study, referring to the United States government's anti-terrorism decisions. Through the analysis of the American anti-terrorism theme movies, combined with the current decision-making of the United States government. We can appreciate and appreciate the unique artistic features of American anti-terrorism films, as well as the evolution of their creative methods and character settings. In these images, we can read the determination of the world's most powerful nation to reshape itself. On the other hand, in the mass production and observation of anti-terrorist films, we are deeply aware of the strength and superiority of the United States itself. We have to admit the cleverness of its national ideology infiltration method. It can be said that the national ideology in American anti-terrorism films, the theme of all its anti-terrorism films, narrative methods. The figure image and so on all has the obvious or the latent influence. The first chapter shows and analyzes the image of the empire, the comprehensive power, and the way of showing the soft power in view of the strong instillation of the national consciousness in the American anti-terrorism film. The second chapter focuses on the analysis of the characteristics and functions of various characters in American anti-terrorism films over the past 20 years, including heroic image, female image, mass image and villain image. The third chapter, from the macro perspective, reveals the reflection and departure of the American anti-terrorism films, and shows the thinking and worry of people from all walks of life in the American anti-terrorism struggle. This paper explores the root causes of terrorism and terrorist attacks. Chapter 4th is based on the film Noumenon, focusing on the analysis of contemporary American anti-terrorism films in the change of aesthetic spirit in the changing times. And the adjustment and change of narrative strategy. This thesis follows and pays attention to the new development of contemporary world films, and carries on the multi-sided theoretical research on the American anti-terrorism film feature films since the 1990s with the macroscopic academic visual field. The innovation of this paper lies in two aspects. On the one hand, it links the anti-terrorism film of -10s and the anti-terrorism film since the new century, and excavates the commonness and difference between them. On the other hand, from the perspective of positive and negative, combined with the 9 / 11 incident to the United States government and the entire society and even the global impact. This paper analyzes the questions and worries beyond the mainstream consciousness and the mainstream consciousness in American anti-terrorism films, and analyzes the video features, lens language and dialogue of these films. It reveals that these films are inextricably linked with social reality and have certain characteristics of the times.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909;J905

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