两岸电影中的经典青春叙事比较—姜文、王朔、杨德昌

发布时间：2018-01-16 07:32

本文关键词：两岸电影中的经典青春叙事比较—姜文、王朔、杨德昌　出处：《厦门大学》2014年硕士论文　论文类型：学位论文

【摘要】：“青春”长久以来都是电影创作的重要题材。近年来,展现青年亚文化的电影在中国大陆与台湾层出不穷,风格各异。本研究选取了海峡两岸同时期三位重要的,作品中带有明显“青春”标签的电影创作人姜文、王朔、杨德昌,通过对他们导演或编剧的作品进行比较研究,以探讨两岸电影中青春叙事的不同及其成因。本研究的结论主要通过三个部分的比较得出：对大陆导演姜文的《阳光灿烂的日子》、王朔编剧的《顽主》与台湾导演杨德昌的《牯岭街少年杀人事件》中青春叙事的比较,对姜文、杨德昌作为导演作者的比较,以及三位创作者成长经历与所处社会环境的比较。本研究认为,姜文、王朔与杨德昌电影中青春叙事的不同,主要根源在于创作者的核心作者意识与两岸具体的社会、文化境遇的不同。首先,导演个人的成长经历对其核心作者意识的形成起到了决定性的影响。通过对姜文和王朔作为“大院子弟”、杨德昌作为“眷村子弟”的生活状态、文化特征比较,分析了姜文作品中英雄主义的情结和杨德昌电影中惯于展现的青春期认同混乱的缘由；其次,通过对20世纪80年代末到90年代初两岸不同的政治环境、社会文化氛围分析,为王朔、姜文的作品中呈现的反精英主义、反历史中心化的后现代主义叙事策略与杨德昌的现实主义手法寻找到现实的根基。本研究不仅涉及对具体电影作品叙事上的研究,同时将作品与创作者本身、社会与时代的大环境相联系,从幕前到幕后,以期在较为全面的角度,考察大陆与台湾电影在对青春这一题材创作上的异同。
[Abstract]:"Youth" has long been an important theme of the film. In recent years, show the youth sub culture film and Taiwan in Chinese, emerge in an endless stream, different styles. This study selected the same period of cross-strait three important works, with obvious "Youth" label film creator Jiang Wen, Wang Shuo, Edward Yang. By comparing their director or screenwriter, to explore different causes and youth narrative movie. On both sides of the main conclusions of this study are compared with three parts: the mainland director Jiang Wen's "sunny days", compared to youth narrative written by Wang Shuo and director Edward Yang Taiwan Wanzhu < > "a brighter summer day > of Jiang Wen, Edward Yang as director of the author, and the comparison of the three creators of growth experience and the social environment.
This study suggests that Jiang Wen, Wang Shuo and Edward Yang youth narrative in the film, the main source is the core of the consciousness of the author and both sides of the creators of the specific social and cultural circumstances are different. First of all, director of personal experience on the formation of the core author consciousness plays a decisive influence. By Jiang Wen and Wang Shuo as "compound the children, Edward Yang as the" Military Dependents' village "of life, cultural characteristics, analysis of the works of Jiang Wen and Edward Yang to show heroism in the movie the adolescent identity confusion reasons; secondly, through to the political environment on both sides of different early 90s at the end of 1980s, analysis, social and cultural atmosphere for Wang Shuo, the anti the elite in the works of Jiang Wen doctrine, strategy of anti historical center of the postmodern narrative and Edward Yang's realism to reality The foundation.
This research not only involves the study of specific movies narrative, and will work with the creators, society and age associated, in front of behind the curtain to, in a more comprehensive perspective, the mainland and Taiwan films in the similarities and differences of the theme on the creation of the youth.

【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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