新时期以来中国电影中女性形象研究

发布时间：2018-01-16 18:45

本文关键词：新时期以来中国电影中女性形象研究　出处：《西南大学》2013年硕士论文　论文类型：学位论文

【摘要】：新时期以来随着中国电影的蓬勃发展,出现了许多的优秀影片。而这些影片中的女性形象,都是十分引人注目的。她们令人感慨的人生经历,也反映出了这个时代的特点。中国的电影文化深受传统文化思想的影响,“男尊女卑”的思想根深蒂固。因此这时期创作出来的女性形象,在很大程度上受到了制约。在男权文化当道的今天,我们可以看见的女性形象,无论是贤妻良母的传统女性,还是激情似火的新女性等等,往往都是按照男人的评判标准来刻画描写的。本文首先通过对新时期中国电影中的女性形象进行类型分析,一方面通过女性形象塑造着眼于女性的发展进步,另一方也透过女性形象反映出她们的不足。在男性霸权生存的女性很难诉说她们真正的内心想法,女性本身的话语权被无情的剥夺,她们总是以“第二性”的身份出现在男性的背后。真正的男女平等,在文化传媒的平台并未得到实现。而新时期一批女性导演的崛起,在一定程度上,不仅丰富了银幕上的女性形象,而且她们能更深层次的挖掘女性自身的所需所想,女性思想意识也得到了唤醒。我们希望能建构起平等的两性对话平台,让更多精彩的女性形象出现在大家面前。本文的整体结构大致如下：第一部分为引言,是对论文的研究缘起和研究情况进行总体的论述。第二部分为历史梳理,即对新时期电影中女性形象的总体流变做出总结,并分析出主流话语中女性形象之间的关联性和承继性。从这部分的分析中可以看到,新时期电影中的女性形象是以文化和经济发展为内在的驱动逻辑的,新时期前后电影中女性形象的差异,实际上是被市场经济催动的女性不同侧面的历史性展现。第三部分为性别书写,即对于女性电影中女性形象的梳理。从中可以发现,女性电影中的女性形象更强调女性的独立和价值,但同时也渗透着主流的话语的影响,并且渐趋呈现出与主流话语融合的迹象。第四部分为对于女性艺术转型的论述。第五部分是对以上四个部分的整体总结和理论分析。最后一部分为结语。总的来说,本论文兼顾到了新时期电影女性研究的几个层面,既有历史性的总结,也有个案分析,是能够较为全面的概括新时期电影中的女性形象的。
[Abstract]:With the vigorous development of Chinese films since the new era, there have been many excellent films. And the female images in these films are very eye-catching. It also reflects the characteristics of this era. The Chinese film culture is deeply influenced by the traditional cultural thought, and the thought of "men are superior to women" is deeply rooted. Therefore, the female images created during this period are deeply rooted. In the patriarchal culture today, we can see the female image, whether it is a wife and good mother of the traditional women, or passion like fire of new women and so on. This paper firstly analyzes the types of female images in Chinese movies in the new era, on the one hand, it focuses on the development and progress of women through the portrayal of female images. The other side also reflects their shortcomings through the image of women. It is very difficult for women who survive in male hegemony to express their true inner thoughts, and the women themselves are ruthlessly deprived of their right to speak. They always appear behind men as "second sex". The real equality between men and women has not been realized in the platform of cultural media. To some extent, the rise of a number of female directors in the new era. Not only enriched the female images on the screen, but also they can dig into the needs of women in a deeper level, women's ideology has also been awakened. We hope to build an equal platform for gender dialogue. Let more wonderful female image appear in front of everybody. The whole structure of this paper is as follows: the first part is the introduction, which is a general discussion on the origin and research situation of the thesis. The second part is the historical combing. That is to sum up the overall evolution of the female image in the new period film and analyze the relevance and inheritance of the female image in the mainstream discourse. We can see from this part of the analysis. The female image in the new period film is driven by the development of culture and economy, and the difference of the female image in the film before and after the new period. The third part is gender writing, that is, the combing of female images in female movies, which can be found. The female image in the female film emphasizes the independence and value of the female, but it also permeates the influence of the mainstream discourse. And gradually showing signs of fusion with mainstream discourse. Part 4th is the discussion of the transformation of female art. Part 5th is the overall summary and theoretical analysis of the above four parts. The last part is the conclusion. Say. This paper takes into account several aspects of the study of women in the new period film, both historical summary and case analysis, which can comprehensively summarize the female image in the new period film.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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