中国战争电影中女性形象的嬗变及女性主义表达

发布时间：2018-01-20 03:30

本文关键词： 战争电影女性主义女性形象嬗变轨迹　出处：《山西大学》2014年硕士论文　论文类型：学位论文

【摘要】：中国战争电影自诞生以来,在中国类型电影中占据着重要的位置。随着时代的变迁,中国战争电影也呈现出不同的特点,每一时期的战争电影都带有明显的时代烙印,无论是影片产生的文化语境、影片的美学特征,抑或是影片的人物形象塑造,都能够展现出战争电影的变化与发展。一提到战争电影,我们首先映入脑海的是激烈的战斗场面和奋勇杀敌的男性军人们。传统观念也认为,打仗是男人们的事情,战争是男人们的天地。所以,战争电影通常也是以男性为主角展开的,主要表现的是男性的雄伟气概。但是,女性在战争电影中同样有着无法替代的重要地位。女性的阴柔气质融入到了刚烈的战争电影中,反而给影片增添了一种独特的色彩。战争电影中的人物形象塑造一直都是以塑造英雄为主,大多影片都是以男性的雄伟气概为主要表现对象,而女性角色一直都隐藏在男性角色之后,女性在战争中的地位以及女性真实的内心世界并没有在战争电影主题中得到一定的诠释。战争电影中的女性形象也是比较单薄的,这些女性形象的塑造是国家意识形态和父权意识形态的表达需要,而非真正的女性性别意识的体现。战争电影作为中国电影的主要类型,其发展关系到了中国电影的整体水平。战争电影的发展不仅需要不断提高电影技术,给观众呈现出更好地视觉效果,电影内在形式也需要不断完善,尤其是对女性角色的塑造,如何在战争电影中刻画出更有内涵的女性形象,使女性意识在电影中真正的体现出来,这些都是值得探究的问题。中国战争电影中女性形象的研究,对战争电影整体的发展是极具推动作用的。
[Abstract]:Since the birth of Chinese war films, they have occupied an important position in Chinese movies. With the change of times, Chinese war films have different characteristics. Every period of war film has a clear brand of the times, whether it is the cultural context of the film, the film's aesthetic characteristics, or the film's character image. When it comes to war movies, the first thing we think about is the fierce battle scene and the men who are fighting to kill the enemy. War is a man's business, war is a man's world. Therefore, war movies are usually also the main male characters, the main performance of male grandeur. But. Women also have an irreplaceable important position in war movies. On the contrary, it adds a unique color to the film. The portrayal of characters in the war film has always been to portray the hero, most of the films are the main performance object of male grandeur. And female characters have always been hidden behind male roles. The position of women in the war and the real inner world of women have not been interpreted in the theme of war movies. The images of women in war films are also relatively thin. The shaping of these female images is the need of the expression of national ideology and patriarchal ideology, rather than the embodiment of real female gender consciousness. War films are the main types of Chinese films. Its development relates to the whole level of Chinese film. The development of war film not only needs to continuously improve the film technology, but also need to improve the internal form of the film. In particular, the shaping of female characters, how to portray a more connotative female image in the war film, so that the female consciousness in the film is truly reflected. These questions are worth exploring. The study of female images in Chinese war films is very helpful to the overall development of war films.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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