焦波纪录片《乡村里的中国》研究
发布时间:2018-01-20 16:59
本文关键词: 纪录片 审美 教育 出处:《河北大学》2014年硕士论文 论文类型:学位论文
【摘要】:纪录片被誉为人类的“生存之境”。它是一种纪实美和艺术美兼备的艺术表现方式,,也是一种对历史表现手法和自身观念的外在表现。主要用真实的手段记录身边的真人真事,以此来表达一个思想或主题。作为“舶来品”的纪录片,传入我国已经有很长时间了。但其发展一直不能尽如人意。直到后来开始在电视荧屏播放,纪录片又重新开始发展。 《乡村里的中国》这部纪录片,是导演焦波在《俺爹俺娘》和汶川地震纪录系列作品后的又一部重要作品,获得了第15届中国电影华表奖纪录片大奖等数个大奖。这是一部乡村题材的纪录片,关注农民自然淳朴的生存状态;关注农民干净纯洁的内心世界;关注农业令人担忧的发展现状。其对农村未来发展的期待给人温暖。《乡村里的中国》追求的风格是当下已经不再受人追捧的纪实美学。以沂蒙山区的杓裕村为拍摄样本,通过373天不间断的跟踪拍摄,记录当地老百姓的真实生活,拿到的都是第一手资料。整部作品朴素而充满张力,内容平实而又丰富多彩,深刻描绘了当下中国农村的生活全景。这部纪录片《乡村里的中国》是当时国家广电局电影局的“命题作文”,一直搁置五年,最终焦波接下了这个任务焦波说:“有这个村庄,就有安放乡愁的地方。”由此可见,这是一部特别有分量的纪录片。 《乡村里的中国》这部纪录片,在我的论文成型初期的时候处于试映的阶段,今年清明节时候在纪录片拍摄地山东淄博首次公映,根据我的搜索,截至目前在国内还没有对纪录片《乡村里的中国》的研究性论文,大部分都是这部纪录片的观后感或对某些具体内容的评析。我试图通过自己所学知识进行研究。本文分为四个章节,第一个章节会介绍导演焦波及其主要作品,纪录片的发展现状及创作;第二章简要对《乡村里的中国》这部纪录片进行介绍,会谈到这部纪录片的拍摄团队、拍摄背景等。在视听语言方面会涉及到画面、声音和蒙太奇等三个方面;第三章会将分析这部纪录片的审美价值,会从真实之美、和谐之美、思考之美、语言之美、即兴之美等多个角度对这部纪录片进行研究;第四章介绍这部纪录片的教育价值,会从纪录片的教育功能以及纪录片的教育特性等角度进行研究,并在这一章对这部纪录片进行反思。希望能通过本文对这部纪录片的分析,能让更多的人真切的意识到,纪录片所具有艺术教育功能的重要性,通过纪录片这种教育媒介,让更多人接收到艺术教育。另外,在当下浮躁的社会环境中,能有这样的一部纪录片出现,是非常难得可贵的。希望通过本文的研究,能够直接或间接的引起更多人对农村、农业、农民的关注。
[Abstract]:Documentary film is known as the "state of existence" of human beings. It is a kind of artistic expression with both documentary and artistic beauty. It is also a kind of external expression of the historical expression technique and its own concept. It mainly uses the real means to record the real events around it to express a thought or theme. It has been introduced to China for a long time, but its development has not been satisfactory. "China in the country" this documentary is another important work of director Jiao Bo after "my father and mother" and Wenchuan earthquake record series works. Won the 15th China Film Award documentary Award and several other awards. This is a rural theme documentary, concerned about the natural and simple living state of farmers; Pay attention to the clean and pure inner world of farmers; Focus on the worrisome development of agriculture. Its expectations for the future development of rural areas give people warm. "China in the country" pursuit of the style is now no longer popular documentary aesthetics. Take a sample. Through 373 days of continuous tracking shooting, record the real life of local people, get the first-hand information. The whole work is simple and full of tension, the content is plain and rich and colorful. This documentary, "China in the country", was a "propositional composition" by the Film Bureau of the State Administration of Radio, Film and Television at that time, and had been shelved for five years. Finally, Jiao Bo took over the task and said, "if there is this village, there is a place for homesickness." thus, this is a particularly important documentary. "China in the country" this documentary, in the early days of my thesis is in the trial stage, this year Ching Ming Festival in the documentary shooting in Zibo, Shandong Province for the first time, according to my search. Up to now, there is no research paper on documentary "China in the country" in China. Most of them are the reflection of the documentary or the analysis of some specific content. I try to study through my own knowledge. This article is divided into four chapters, the first chapter will introduce the director Jiao Bo and his main works. The development and creation of documentary; The second chapter briefly introduces the documentary "China in the country", will talk about the documentary shooting team, shooting background and so on. In audio-visual language, it will involve three aspects: picture, sound and montage. The third chapter will analyze the aesthetic value of the documentary, will be from the true beauty, the beauty of harmony, the beauty of thinking, the beauty of language, the beauty of improvisation and other aspects of the documentary will be studied; Chapter 4th introduces the educational value of this documentary, and will study from the educational function and educational characteristics of the documentary. And in this chapter to reflect on this documentary. Hope that through the analysis of this documentary, can let more people realize the importance of art education. Through documentary this educational medium, let more people receive art education. In addition, in the current impetuous social environment, there can be such a documentary. Through the research of this paper, I hope to arouse more people's attention to the countryside, agriculture and farmers directly or indirectly.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J952
【参考文献】
相关期刊论文 前1条
1 李红兵;试论纪录片的审美价值[J];江汉大学学报;1999年05期
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