创伤记忆的视觉招魂技术——当代亚洲纪录片中的三种记忆表征模式

发布时间：2018-01-21 11:20

  本文关键词： 创伤记忆 纪录片 民间记忆计划 表征 亚洲　出处：《浙江传媒学院学报》2016年05期 　论文类型：期刊论文

【摘要】：记忆与历史之间存在着复杂的联系。在二十世纪的记忆研究中,存在两种关于记忆与历史关系的判断,一种是以皮埃尔·诺拉为代表的记忆建构话语,另一种是以保罗·利科为代表的记忆义务话语。文章以创伤记忆类纪录影像为分析对象,认为21世纪以来反映当代亚洲国家现代历史的纪录片的创作冲动,主要应该从利科的义务话语出发进行理解。通过对中国大陆、印度尼西亚、柬埔寨、泰国四国三组创伤记忆类纪录片的分析,文章提炼出三种记忆表征模式,分别为:"口述—档案模式"、"搬演—情景再现模式"、"空间—物体模式"。希望通过这种梳理,丰富人们对当代纪录影像中的表征、记忆与历史三者间复杂关系的认知。
[Abstract]:There is a complex connection between memory and history. In the memory study in 20th century, there were two kinds of judgments about the relationship between memory and history, and one was memory-constructed discourse, represented by Pierre Nora. The other is Paul Rico's words of duty to remember. The article looks at traumatic memory images as an analysis of the impulses of documentaries that reflect the modern history of contemporary Asian countries since 21th century. Through the analysis of three groups of traumatic memory documentaries in mainland China, Indonesia, Cambodia and Thailand, the paper abstracts three kinds of memory representation models. They are: "dictation-file mode", "moving-scene reproducing mode", "space-object model". It is hoped that through this sort of combing, people can enrich the representation of contemporary recorded images. Cognition of the complex relationship between memory and History.
【作者单位】： 南京理工大学设计艺术与传媒学院;
【分类号】：J952
【正文快照】： 20世纪见证了现代性发展到某个高潮节点上所形成的双刃剑的巨大力量。工业革命带动的科学技术的腾飞、文艺复兴与启蒙运动所大力激发的主体能动意识,以及资本再生产的欲望所导致的全球一体化速度的加快,使得人类文明在大大往前推进的同时,也产生了极大的破坏性:从军事上看带来，

本文编号：1451334