全媒体时代中国电影批评独立话语的缺失与重建

发布时间：2018-01-21 13:54

本文关键词： 全媒体时代中国电影批评独立话语缺失重建　出处：《河北大学》2014年硕士论文　论文类型：学位论文

【摘要】：随着科学技术的不断进步与发展，我们进入了一个由传统媒体与新兴媒体同时存在、同时发挥作用的“全媒体时代”。在全媒体时代，，中国电影艺术创作处于多元化发展的状态，作为整个电影业发展环节中，重要一环的电影批评变得更为重要。但中国电影批评的现状却差强人意，即使听到一些批评的声音，也常常由于似是而非、言不达意、无关痛痒、而显得苍白无力。网络话语的泛滥、电影批评队伍不能发挥出自身应有的作用、普通观影者不关注、专家学者不研究、电影创作者不理睬等成为一种普遍的现象，电影批评不能承担起解读电影现象、指导电影实际创作、总结电影历史的作用，由此带来的是中国电影批评独立话语权的不断沦丧。本文从现实中存在的这些现象和问题出发，对全媒体时代中国电影批评的生存现状、话语形态进行分析。在此基础之上，提出如何重建中国电影批评的独立话语，这不仅是中国电影批评不可回避的任务，也是对迅速发展的中国电影自身提出的要求。
[Abstract]:With the continuous progress and development of science and technology, we have entered a "whole media age" in which the traditional media and the emerging media exist and play a role at the same time. Chinese film art creation is in the state of diversified development, as the whole development of the film industry, an important part of the film criticism has become more important, but the current situation of Chinese film criticism is not satisfactory. Even if hear some criticism voice, also often because of specious, words do not mean, irrelevant, and appear powerless. The flood of network discourse, film criticism team can not play its due role. Ordinary viewers do not pay attention, experts and scholars do not study, film creators ignore become a common phenomenon, film criticism can not afford to interpret the film phenomenon, guide the actual creation of the film. Summary of the role of film history, resulting in the continuous loss of independent right to speak of Chinese film criticism. This article from the reality of these phenomena and problems, the survival status of Chinese film criticism in the media era. On the basis of this, the author puts forward how to reconstruct the independent discourse of Chinese film criticism, which is not only the unavoidable task of Chinese film criticism. Is also the rapid development of the Chinese film itself put forward the requirements.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.2

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