地域文化视角下的张艺谋和贾樟柯电影创作研究

发布时间：2018-01-23 21:50

本文关键词： 地域文化张艺谋贾樟柯人本主义电影创作全球化　出处：《西安建筑科技大学》2013年硕士论文　论文类型：学位论文

【摘要】：在地域文化的各种概念里，有一种认为是地域性的精神文化决定着并能解释该片区人们一切创造活动的方式和动机；法国著名学者丹纳在分析艺术的产生时认为，，“精神文明的产物和动植物界的产物一样，只能用各自的环境来解释”。作为中国电影界第五代导演和新生代导演代表的张艺谋和贾樟柯，各自的系列作品中都有鲜明的地域性特征。对张艺谋导演已有的研究中，其角度大多分布在民俗文化、叙事手法、视觉语言、女性主义等几方面；对贾樟柯导演的研究焦点则大多集中在其关注社会底层的主题与纪实质朴的风格，探讨变迁时代一些特定人群的生存状态。两位导演的作品既有可以比较的相似性，又有时间与空间造成的巨大差异。以两位导演为例或相关比较研究基本都是从审美和叙事两个角度入手的，而两位导演的作品中鲜明的地域性是不容忽视的共同的突出特征，从地域文化视角，人本主义理论出发，对两位导演的电影创作进行既平行又对比的研究，则少之又少，目前在学界尚有一定的空白性。正文第一章绪论部分就本课题的研究背景、国内外研究现状、目的、意义、内容和方法进行了汇报。第二章廓清了地域文化的概念，简述了其历史发展过程，对其在中国的发展概况及中国电影中的地域文化特征进行了阐述。第三章从两位导演出身的本土地域文化出发，介绍了三秦文化和三晋文化的主要构成，分析了它们对张艺谋和贾樟柯电影创作可能产生的影响，并指出两位导演在全球化影响下创作主题与风格出现的变化。第四章从人本主义理论出发分别对张艺谋民俗仪式下的文化意蕴和贾樟柯作品的在地性进行了解读，比较了他们创作目的与方式上的异同。第五章探究了如何通过电影艺术更加充分有效地保护和发展中国地域文化，对当前中国地域文化在全球化背景下所面临的现状做了分析，对电影导演们在地域文化相关创作方面的创新尝试提出几条新思路。最后结论部分对本课题全面概述，总结了几点本课题研究过程中获得的认识。本文从地域文化角度对张艺谋和贾樟柯的电影创作进行了较为全面系统的梳理和归整，一方面对导演个人的创作动机寻求较为合理的地域文化解释，另一方面对他们作品中所呈现出的地域特征进行了地域文化角度的阐释，以期对张艺谋和贾樟柯的研究提出新的角度，并丰富该角度研究的理论材料，鼓励更多的学者跟进并深入该领域研究，为中国电影艺术在未来全球化下如何保持和发展中国本土特色文化的探究添砖加瓦。
[Abstract]:Among the various concepts of regional culture, there is a kind of spiritual culture which is considered to be regional, which determines and explains the ways and motives of all the creative activities of the people in the region. Dana, a famous French scholar, thought that "the products of spiritual civilization are the same as those of animals and plants." "can only be explained by their own circumstances." Zhang Yimou and Jia Zhangke, as the fifth generation of directors and representatives of the new generation of directors in the Chinese film industry. There are distinct regional characteristics in their respective series of works. In the studies of Zhang Yimou, most of them are from the aspects of folk culture, narrative techniques, visual language, feminism and so on. On the other hand, the research focus of Jia Zhangke is mostly focused on the theme of the bottom of the society and the simple style. This paper discusses the living conditions of certain groups of people in the changing times. The works of the two directors have some comparable similarities. There is also a huge difference between time and space. Taking the two directors as an example or the relative comparative studies are basically from the aesthetic and narrative perspectives. And the two directors in the work of the distinctive regionality is a common outstanding characteristics can not be ignored, from the perspective of regional culture, humanism theory, the film creation of the two directors both parallel and comparative study. At present, there is still a certain blank in the academic field. The first chapter introduces the research background, the current situation, the purpose, the significance, the content and the method of the research at home and abroad. The second chapter clarifies the concept of regional culture, briefly describes its historical development process. The development of its in China and the characteristics of regional culture in Chinese films are expounded. The third chapter introduces the main composition of the culture of the three Qin Dynasty and the three Jin Dynasty from the local culture of the two directors. This paper analyzes their possible influence on Zhang Yimou and Jia Zhangke's film creation. And pointed out that the two directors under the influence of globalization in the creation of theme and style changes. 4th chapter from the humanistic theory of Zhang Yimou under the ceremony of folk culture and Jia Zhangke works in the interpretation of the nature of the interpretation. . Chapter 5th explores how to protect and develop Chinese regional culture more effectively through film art. This paper analyzes the current situation of Chinese regional culture in the context of globalization. This paper puts forward several new ideas on the innovation of the regional culture related creation of the film directors. Finally, the conclusion summarizes the overall summary of this subject and summarizes the understanding gained in the course of the research. In this paper, Zhang Yimou and Jia Zhangke film creation from the perspective of regional culture for a more comprehensive and systematic combing and integration, on the one hand to the director's personal creative motivation to seek a more reasonable regional culture explanation. On the other hand, it explains the regional characteristics of their works from the angle of regional culture, in order to put forward a new angle to the study of Zhang Yimou and Jia Zhangke, and enrich the theoretical materials of this angle. More scholars are encouraged to follow up and further study in this field so as to contribute to the exploration of how to maintain and develop Chinese native culture under the future globalization of Chinese film art.
【学位授予单位】：西安建筑科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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